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The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael

The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael


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The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael

The Madonna Del Cardellino, 1505-1506, (1911). The Madonna del cardellino or Madonna of the Goldfinch is a painting by the Italian renaissance artist Raphael (1483-1520). Mary, Christ and young John the Baptist holding a goldfinch in his hand. A 10-year restoration process was completed in 2008, after which the painting was returned to its home at the Uffizi in Florence. Oil on wood. From The Connoisseur Vol XXX. [Otto Limited, London, 1911]

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Media ID 14978545

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Action Child Care Childcare Goldfinch Halo John The Baptist Limited Otto Otto Limited Rafaello Sanzio Raffaello Santi Raffaello Sanzio Raphael Raphael Sanzio Reaching Out Saint John Saint John The Baptist Sanzio St John St John The Baptist The Connoisseur Nakedness Nudity Parenting


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EDITORS COMMENTS
This print showcases Raphael's iconic masterpiece, "The Madonna Del Cardellino" which was completed between 1505 and 1506. The painting depicts the Virgin Mary, baby Jesus, and a young John the Baptist holding a delicate goldfinch in his hand. This exquisite artwork has undergone an extensive ten-year restoration process that concluded in 2008, allowing it to be returned to its rightful place at the Uffizi Gallery in Florence. Raphael's talent shines through this oil on wood creation as he captures the tender bond between mother and child. The vibrant colors of red and blue add depth to the composition while emphasizing their religious significance. Mary's serene expression exudes maternal love and devotion, symbolizing her role as both a mother figure and a spiritual icon. "The Madonna Del Cardellino" is not only a testament to Raphael's mastery but also represents the beauty of Italian Renaissance art. Its portrayal of innocence, faith, and family resonates with viewers across centuries. This particular print originates from "The Connoisseur Vol XXX" published by Otto Limited in London back in 1911. As we admire this remarkable piece today, we are reminded of its historical importance as well as its enduring relevance within Christian iconography. It serves as an everlasting reminder of the power of art to evoke emotion and inspire contemplation about life's profound mysteries.

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