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Madonna and Child with Saint John the Baptist and two angels, between 1470 and 1530. Creator: Masaccio Tommaso
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Madonna and Child with Saint John the Baptist and two angels, between 1470 and 1530. Creator: Masaccio Tommaso
Madonna and Child with Saint John the Baptist and two angels, between 1470 and 1530
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Media ID 36241919
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Childhood Christ Antiphonetes Christ Jesus Details Florentine Halo Looking Up Madonna And Child Mary Virgin Masaccio Our Lady Of Refuge Saint Mary St Mary Stella Maris Tableau The Virgin Mary Virgin And Child Virgin Mother Wood Material
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Madonna and Child with Saint John the Baptist and Two Angels,
EDITORS COMMENTS
a masterpiece by the renowned Florentine artist Masaccio Tommaso, dates back to the 15th or early 16th century. This exquisite oil on wood painting showcases the artist's exceptional skill in capturing the essence of childhood and the profound connection between the Holy Family and the young Saint John the Baptist. The painting depicts the Virgin Mary, cradling the infant Jesus in her arms, while gazing tenderly at Him. The Christ Child, with a serene expression, reaches out towards Saint John the Baptist, who stands before them, dressed in camel's hair and holding a cross. Two angels, dressed in blue robes and adorned with halos, look up at the divine scene with reverence and awe. Masaccio Tommaso masterfully employs the use of color and detail to bring the characters to life. The Madonna's robe is a rich red, symbolizing her status as the Mother of God and her role as Stella Maris (Star of the Sea). The Child Jesus is dressed in white, signifying His purity and divinity. The angels' robes are a calming blue, representing their celestial nature. This painting is a testament to the artistic heritage of the Renaissance period and the enduring influence of Christianity on European art. It is currently housed in the Petit Palais Museum in Paris, where it continues to captivate and inspire visitors from around the world. The intricate details and the profound emotion conveyed in this tableau make it a must-see for anyone interested in the history of art and the enduring power of religious iconography.
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