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Madonna with Child, 1476. Creator: Bellini, Giovanni (1430-1516)

Madonna with Child, 1476. Creator: Bellini, Giovanni (1430-1516)


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Madonna with Child, 1476. Creator: Bellini, Giovanni (1430-1516)

Madonna with Child, 1476. Found in the Collection of Accademia Carrara, Bergamo

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Media ID 19779813

© Fine Art Images/Heritage Images

Accademia Carrara Admiration Bellini Bergamo Christ Child Giovanni 1430 1516 Holy Family Madonna And Child Tempera On Panel Venetian School Virgin And Child Mother Of God


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> Arts > Art Movements > Renaissance Art

> Arts > Fine Art

> Europe > Italy > Lombardy > Bergamo

> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Carrara

> Historic > Renaissance art > Italian Renaissance art


EDITORS COMMENTS
This print showcases the renowned artwork "Madonna with Child" by Giovanni Bellini, created in 1476. Housed within the esteemed Accademia Carrara collection in Bergamo, Italy, this painting exudes a profound sense of love and devotion. The image depicts the Virgin Mary cradling her beloved son, Jesus Christ, symbolizing the sacred bond between mother and child. Bellini's masterpiece beautifully captures the essence of Renaissance artistry through its meticulous details and exquisite composition. The vibrant colors and delicate brushstrokes evoke a sense of joy and admiration for both Mary's role as a mother and her divine significance in Christianity. As we gaze upon this timeless piece, we are transported to an era where religious narratives were brought to life on canvas. This representation of Madonna with Child holds deep biblical connotations from the New Testament, emphasizing Mary's revered status as Mother of God. The Venetian School influence is evident through Bellini's masterful use of tempera on panel technique. Each stroke reveals his exceptional skill in capturing human emotions while infusing spirituality into his work. Through this photo print, we can appreciate not only Bellini's artistic genius but also the enduring power that images like these hold over centuries. It serves as a testament to how art continues to inspire awe and reverence for both believers and admirers alike.

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