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Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven
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Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven
Madonna of the Blue Diadem, 1510-1511 (1870). Also known as The Virgin of the Veil and The Virgin, Child and young St John. From the collection of the Musee du Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950669
© The Print Collector / Heritage-Images
Asleep Chromolithograph Franz Franz Kellerhoven Hands Clasped John The Baptist Kellerhoven Lifting Mantz Paul Paul Mantz Peaceful Prayer Praying Print Collector12 Rafaello Sanzio Raffaello Santi Raphael Raphael Sanzio Saint John Saint John The Baptist Saint Mary Sanzio Sleep Sleeping St John St John The Baptist St Mary Stella Maris The Virgin Mary Veil Virgin And Child Virgin Mother Archway Infancy Mother Of God
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EDITORS COMMENTS
Madonna of the Blue Diadem, 1510-1511 (1870) by Franz Kellerhoven is a captivating print that showcases the beauty and serenity of Renaissance art. This masterpiece, also known as The Virgin of the Veil and The Virgin, Child and young St John, is housed in the prestigious Musee du Louvre in Paris. The painting depicts the Virgin Mary cradling baby Jesus while young St. John the Baptist looks on with adoration. The artist skillfully captures a sense of love and tranquility as Mary's hands are clasped in prayer, her gentle gaze fixed upon her divine child. Baby Jesus peacefully slumbers in his mother's arms, symbolizing innocence and purity. The Italian landscape serves as a breathtaking backdrop to this sacred scene. With its rolling hills and architectural ruins, it adds depth to the composition while emphasizing Italy's rich artistic heritage. Franz Kellerhoven pays homage to Raphael's original work from centuries earlier through his meticulous attention to detail and masterful use of color. Every brushstroke brings life to this timeless portrayal of maternal love and devotion. This print transports viewers back to an era where religious art flourished, evoking feelings of reverence for both faith and artistic craftsmanship. It reminds us of the enduring power that such works hold over our collective imagination.
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