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Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848-1904)... 1878
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Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848-1904)... 1878
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848-1904) and Her Children, Georgette-Berthe (1872-1945) and Paul-Emile-Charles (1875-1895), 1878
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Media ID 19844726
© Heritage Art/Heritage Images
Auguste Auguste Renoir Cross Dressing Parisian Pierre Auguste Pierre Auguste Renoir Post Impressionism Post Impressionist Renoir Renoir Auguste Renoir Pierre Auguste Screen Screens Unbreeched Impressionist Interior Decoration Interior Design
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EDITORS COMMENTS
This print by Pierre-Auguste Renoir showcases the elegant Madame Georges Charpentier, along with her two children Georgette-Berthe and Paul-Emile-Charles. Taken in 1878, this snapshot of 19th-century French society captures not only the beauty of its subjects but also their fashionable attire and refined taste. Madame Charpentier exudes grace as she poses confidently in a stunning dress, while her children stand beside her. Georgette-Berthe, a young girl full of innocence and curiosity, gazes at the viewer with wide eyes. Meanwhile, Paul-Emile-Charles stands tall like a miniature gentleman-in-training. The interior setting adds an air of sophistication to the composition. The room is adorned with Japanese screens that hint at the growing influence of Eastern art on Western aesthetics during this period. A beloved pet dog rests peacefully at Madame Charpentier's feet, adding warmth and charm to the scene. Renoir's masterful use of color and brushstrokes brings life to this oil painting, showcasing his skill as an impressionist artist. The soft lighting enhances each detail - from the intricate patterns on Madame Charpentier's dress to the gentle expressions on her children's faces. Displayed at The Metropolitan Museum of Art (The Met), this artwork invites viewers into a world where fashion meets family bonds and cultural influences intertwine seamlessly. It serves as a timeless reminder of both Renoir's talent and the enduring allure of 19th
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