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Lindisfarne Abbey on Holy Island, Northumberland, 1830. Creator: John Varley I

Lindisfarne Abbey on Holy Island, Northumberland, 1830. Creator: John Varley I


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Lindisfarne Abbey on Holy Island, Northumberland, 1830. Creator: John Varley I

Lindisfarne Abbey on Holy Island, Northumberland, 1830

Heritage Images features heritage image collections

Media ID 36363864

© Heritage Art/Heritage Images

Brush John Varley John Varley I Lindisfarne Priory Priory Varley John Varley John I


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> Animals > Mammals > Cricetidae > Brush Mouse

> Architecture > Country > England

> Architecture > Country > Netherlands

> Architecture > Drawings

> Architecture > Religious

> Arts > Artists > V > John Varley

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Watercolor paintings > Watercolor landscapes > Landscape art

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images


EDITORS COMMENTS
John Varley I's captivating watercolor painting, titled "Lindisfarne Abbey on Holy Island, Northumberland, 1830," offers a breathtaking glimpse into the past. This exquisite work of art, created in the 19th century, showcases the ruins of Lindisfarne Priory, also known as Lindisfarne Abbey, located on Holy Island off the northeast coast of England. The low-lying island is accessible only during low tide, adding to its mystical allure. The painting, executed in watercolour, captures the essence of the priory's rich history and religious significance. Founded in 635 AD, Lindisfarne Abbey was a major centre of Celtic Christianity in Britain. The priory's ruins, bathed in soft, ethereal light, stand as a testament to the passage of time and the enduring power of faith. John Varley I, a British artist, masterfully employs his brush to bring the rugged beauty of the Northumberland coastline and the intricate details of the priory to life. The painting's vibrant colours and rich textures transport us back to a time when monks lived and worshipped within these ancient walls. This stunning work of art is a valuable addition to any collection focusing on British heritage, architecture, or religious history. Its inclusion in the Rijksmuseum in the Netherlands further underscores its historical significance and artistic merit. The painting invites us to contemplate the beauty and resilience of the past, as well as the enduring allure of religious sites that continue to inspire and captivate us.

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