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L'Arrivee de l'Operateur dans l'hotellerie, 1727. Creator: Jean-Baptiste Oudry
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L'Arrivee de l'Operateur dans l'hotellerie, 1727. Creator: Jean-Baptiste Oudry
L'Arrivee de l'Operateur dans l'hotellerie, 1727
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Media ID 36255025
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Arrival Arrive Arriving Black Chalk Hotel Houdrie Of Paris Jean Baptiste Oudry Le Roman Comique Monsieur Scarron Mounted Oudry Jean Baptiste Paul Scarron Riders Rococo Era Scarron Paul Trader White Chalk
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EDITORS COMMENTS
L'Arrivee de l'Operateur dans l'hotellerie," or "The Arrival of the Hotel Manager," is a captivating black chalk drawing by Jean-Baptiste Oudry, created in the 18th century. This masterpiece, now held at the National Gallery of Art in Washington D.C., depicts a scene of arrival at an inn or hotel. The drawing is heightened with white chalk on blue laid paper, adding depth and texture to the image. At the center of the composition, a man on horseback, dressed in a long coat and hat, arrives at the inn. He is greeted by two women, one of whom holds a tray of food and the other a quill and ink. A third figure, a man in a red coat, stands nearby, likely the innkeeper or manager. The arrival of the rider and his entourage signifies the beginning of a new day at the inn, a common theme in literature of the time, such as "Le Roman Comique" by Paul Scarron. The drawing is a fascinating depiction of 18th-century French culture, showcasing the arrival of a traveler at an inn, a common occurrence during the era of industrialization and expansion of the hotel industry. The drawing's intricate details, from the textured fabric of the rider's coat to the delicate folds of the women's skirts, highlight Oudry's exceptional skill as a draftsman. The use of black and white chalk on blue laid paper adds a sense of depth and contrast, making this drawing a must-see for any art lover or history buff. Jean-Baptiste Oudry was a prominent French artist of the 18th century, known for his depictions of animals and hunting scenes. However, this drawing demonstrates his versatility as an artist, showcasing his ability to capture the human form and the everyday life of the time. This drawing is a testament to the rich cultural heritage of France and the art of the 18th century.
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