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Landscape with Tree, Man, and Cows, August 7, 1765. Creator: George Howland Beaumont

Landscape with Tree, Man, and Cows, August 7, 1765. Creator: George Howland Beaumont


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Landscape with Tree, Man, and Cows, August 7, 1765. Creator: George Howland Beaumont

Landscape with Tree, Man, and Cows, August 7, 1765. Attributed to Sir George Howland Beaumont

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Media ID 36239989

© Heritage Art/Heritage Images


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> Animals > Farm > Cattle > Related Images

> Arts > Artists > B > George Howland Beaumont

> Arts > Artists > W > George White

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Country landscapes

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Still life artwork > Landscape paintings

> Arts > Still life artwork > Still life art > Landscape artwork


EDITORS COMMENTS
This evocative print, titled "Landscape with Tree, Man, and Cows" and dated August 7, 1765, is attributed to the English artist Sir George Howland Beaumont. The scene captures the essence of rural life in eighteenth-century England, with its rolling hills, lush greenery, and peaceful countryside. At the heart of the composition is a solitary figure, dressed in a simple smock and hat, tending to his cows in the verdant pasture. The man's presence adds a sense of scale and human connection to the landscape, while the trees and plants surrounding him offer a rich tapestry of texture and form. The artist's skillful use of graphite on ivory laid paper laid down on ivory laid card creates a striking contrast between the white background and the dark, intricately detailed foreground. The monochrome palette of this print lends an air of timelessness and nostalgia, transporting the viewer to a simpler, more idyllic era. The rural setting and focus on natural elements are hallmarks of the regionalism movement, which sought to celebrate the unique beauty and character of the British countryside. This print is a testament to Beaumont's mastery of the pencil, as well as his keen observation of the natural world and the people who inhabited it. It is a valuable addition to any collection of eighteenth-century art and a reminder of the enduring appeal of the rural landscape.

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