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Interior of St. Magnus Looking West, mid-late 19th century. Creator: Unknown

Interior of St. Magnus Looking West, mid-late 19th century. Creator: Unknown


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Interior of St. Magnus Looking West, mid-late 19th century. Creator: Unknown

Interior of St. Magnus Looking West, mid-late 19th century. One of a set of views of baroque London churches. The organ in the Church of St Magnus the Martyr at London Bridge, in Lower Thames Street in the City of London, was commissioned in 1711. The organ case is considered to be one of the finest existing examples of the Grinling Gibbonss school of wood carving. The church was rebuilt by Christopher Wren after the previous church on the site was destroyed in the Great Fire of 1666. The building was complete by 1676

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Media ID 18097465

© The Print Collector / Heritage-Images

Christopher Christopher Wren Gibbons Grinling Grinling Gibbons Organ Sir Christopher Sir Christopher Wren St Magnus The Martyr Wren


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Gibbon

> Animals > Mammals > Muridae > Magnus

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > London > Art > Music > Related Images


EDITORS COMMENTS
This print showcases the magnificent interior of St. Magnus, a baroque London church from the mid-late 19th century. The creator of this stunning piece remains unknown, adding an air of mystery to its allure. The focal point of this image is undoubtedly the remarkable organ in the Church of St Magnus the Martyr at London Bridge. Commissioned in 1711, it stands as a testament to the exceptional craftsmanship of Grinling Gibbons and his school of wood carving. The intricate details on the organ case are considered among the finest examples ever created. Originally built by Christopher Wren after its predecessor was destroyed in the Great Fire of 1666, this architectural masterpiece was completed by 1676. Its grandeur and elegance reflect both Wren's genius and his dedication to rebuilding London's churches. As we gaze upon this monochrome photograph, we are transported back in time to witness not only a place for religious worship but also a sanctuary for music enthusiasts. The atmosphere inside St. Magnus must have been filled with divine melodies emanating from that majestic organ. Through this image, we glimpse into history—a moment frozen in time—capturing both artistic excellence and spiritual devotion within these hallowed walls. It serves as a reminder that even centuries later, our admiration for such masterpieces endures, connecting us to our rich cultural heritage.

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