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"In the Marshes - Morning" - painted by G. A. Williams - from the Exhibition of the National Institu Creator: Unknown. "In the Marshes - Morning" - painted by G. A. Williams - from the Exhibition of the National Institu Creator: Unknown
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"In the Marshes - Morning" - painted by G. A. Williams - from the Exhibition of the National Institu Creator: Unknown. "In the Marshes - Morning" - painted by G. A. Williams - from the Exhibition of the National Institu Creator: Unknown
"In the Marshes - Morning" - painted by G. A. Williams - from the Exhibition of the National Institution, 1856. Mr. Williams has found the subject of the careful picture which we this week engrave in the fen country of England - in the neighbourhood, we suspect, of what was once Whittlesea Mere. He is, like Rembrandt and Constable, fond of a mill; and a very picturesque one he has given us under the appropriate name of "In the Marshes." There is a lovely air of solitude in this characteristic picture: much is told and much is indicated. The spectator steps from before the picture conscious that it has come from no ordinary hand'. From "Illustrated London News", 1856
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In the Marshes - Morning,
EDITORS COMMENTS
a captivating painting by George Augustus Williams, showcases the tranquility and beauty of the English fen country, believed to be in the vicinity of the former Whittlesea Mere. The artist, akin to Rembrandt and Constable, displays a profound affection for mills, gracefully incorporating a picturesque one into this scene under the title "In the Marshes." The painting exudes a sense of solitude, inviting the viewer into a world untouched by time. The landscape is rich in detail, with the reflection of the mill and the surrounding trees mirrored in the still, murky waters of the marsh. Cattle graze peacefully in the foreground, adding to the rustic charm of the scene. The "Illustrated London News" of 1856 praised Williams' work, acknowledging the depth and emotion conveyed in the painting. The critic noted that "much is told and much is indicated," suggesting that the image transcends its physical form and speaks to the viewer on a deeper level. The photographic print, an engraving from the Exhibition of the National Institution, captures the essence of this nineteenth-century masterpiece. The image invites us to explore the fens, a geographical feature unique to Britain, and to appreciate the rural life that once thrived there. The windmill, a symbol of the region's agricultural past, stands proudly against the backdrop of the marshland, a testament to the resilience and resourcefulness of those who lived and worked there. This image, with its timeless appeal, invites us to reflect on the beauty and simplicity of rural life and the passing of time.
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