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The imports of Great Britain from France, 1757. Artist: LP Boitard
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The imports of Great Britain from France, 1757. Artist: LP Boitard
The imports of Great Britain from France, 1757. The landing of passengers and cargo from France at the Custom House. A satire on the importation of French goods and workers at the expense of British industry. Dedicated to the Anti-Gallican Society
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Media ID 15177304
© London Metropolitan Archives (City of London) / Heritage-Images
Boitard Boitard The Elder Busy Cargo Commerce Custom House Import L P Boitard Louis Philippe Louis Philippe Boitard Lp Boitard Passenger Passengers Protectionism Quai Quay Quayside Shipping Industry The Elder
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The Imports of Great Britain from France, 1757
EDITORS COMMENTS
is a captivating print by artist LP Boitard that offers a satirical commentary on the importation of French goods and workers at the expense of British industry. The scene depicted showcases the landing of passengers and cargo from France at the Custom House in London, providing a glimpse into the bustling trade between these two nations during the 18th century. Boitard's engraving skillfully captures the busy quayside with people unloading cargo from ships, emphasizing the significance of commerce in this era. The artist's dedication to the Anti-Gallican Society is evident through his sharp critique of protectionism policies that favored French imports over British products. This artwork serves as both a historical document and an artistic expression. It highlights England's position as a major trading hub while shedding light on concerns about foreign competition undermining local industries. With its intricate details and monochromatic palette, Boitard's work invites viewers to contemplate not only economic matters but also broader concepts such as national identity and industrial development. Preserved by Guildhall Library and Art Gallery, this print stands as a testament to Boitard's talent in capturing significant moments in history through his artistry. Whether appreciated for its aesthetic appeal or studied for its socio-economic implications, "The Imports of Great Britain from France, 1757" continues to intrigue audiences centuries after its creation.
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