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Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell
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Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell
Hindu Fakirs practising their superstitious rites, 19th century. 1) The Great Tree of the Banyans. 2) A pagoda of the idol Mamaniva, on one side of which Devotees are marked on the forehead with vermilion on the other side a Brahman takes their offerings of rice etc. 3) A pagoda of Ram. 4) Another pagoda dedicated to Ram. 5) A pagoda of retirement for the penitential Fakirs. 6) A cavern or close ditch impervious to the least gleam of day, except what passes through a little hole for that purpose, resorted to by a Fakir several times in the year. 7) A Fakir sleeping upon a cord. 8) Fakirs that remain all their lives in the same attitude, living by the charity of female devotees. 9) Several Fakirs consulted and invoked as Saints, by the women. 10) Various postures that some Fakirs are in several hours a day. 11) A Brahman with his nose and mouth muffled up, lest he should swallow the smallest insect in drawing his breath: he likewise sweeps the ground before him as he walks lest he should tread upon any worm or insect. 12) Fakirs warming themselves. 13) A Fakir feeding animals out of pure charity
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Media ID 14880212
© The Print Collector / Heritage-Images
Bell Bizarre Devotee Exotic Fakir Hindu Hinduism Holy Man Insect Jainism Jungle Pagoda Sadhu Superstition Superstitious Sweeping Weird Yogi Baba Hindoostan Nakedness
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EDITORS COMMENTS
This print titled "Hindu Fakirs practising their superstitious rites, 19th century" by Bell offers a fascinating glimpse into the religious practices and rituals of Hindu Fakirs during that era. The image showcases various aspects of their daily lives and devotion. The Great Tree of the Banyans stands tall, providing shade and shelter to these devoted individuals. Nearby, a pagoda dedicated to the idol Mamaniva attracts devotees who receive vermilion marks on their foreheads as they make offerings of rice and other items to a Brahman. Intriguingly, another pagoda is dedicated solely to Ram, highlighting the significance of this deity in their beliefs. A separate pagoda serves as a retreat for penitential Fakirs seeking solitude and introspection. One particularly striking scene captures a Fakir inside a cavern or close ditch with only a small hole allowing minimal light to pass through – an austere practice undertaken multiple times each year. Other notable moments include Fakirs sleeping upon cords or assuming specific postures for extended periods. A Brahman can be seen meticulously muffled up while walking so as not to harm any insects inadvertently swallowed while breathing. This same individual also sweeps the ground before him out of respect for all living creatures. Charity plays an essential role in the lives of these Fakirs, exemplified by one photograph depicting them feeding animals selflessly. Throughout this collection, women are shown consulting and invoking several revered Fakirs as saints. Bell's masterful composition transports viewers back in time, offering insight into the rich cultural heritage and spiritual traditions practiced by Hindu Fakirs during the 19th century.
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