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The Gross of Green Spectacles, from The Vicar of Wakefield, May 1817
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The Gross of Green Spectacles, from The Vicar of Wakefield, May 1817
The Gross of Green Spectacles, from " The Vicar of Wakefield", May 1817
Heritage Images features heritage image collections
Media ID 19985028
© Heritage Art/Heritage Images
Ackermann Ackermann R Ackermann Rudolph Clergy Glasses Goldsmith Goldsmith Oliver Oliver Oliver Goldsmith Optical Optician Parson R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Spectacles The Vicar Of Wakefield Thomas Rowlandson Vicar Aquatint Hand Coloured Hand Tinted
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EDITORS COMMENTS
This 19th-century print, titled "The Gross of Green Spectacles, from The Vicar of Wakefield, May 1817" transports us back in time to a world filled with charm and wit. Created by the talented artist Thomas Rowlandson and published by Rudolph Ackermann, this hand-colored aquatint captures a moment of delightful satire. The scene depicts a bustling optician's shop where an eccentric assortment of women can be seen trying on various pairs of green spectacles. Inspired by Oliver Goldsmith's novel "The Vicar of Wakefield" this artwork playfully explores the concept of perception and how it can shape our understanding. Rowlandson's meticulous attention to detail brings each character to life - from the curious parson examining his reflection in the mirror to the mischievous young woman secretly admiring herself through her new glasses. The vibrant colors add depth and vibrancy to this humorous portrayal. As we gaze upon this extraordinary piece, we are reminded not only of its artistic brilliance but also its historical significance. It offers us a glimpse into both the fashion trends and social customs prevalent during that era. "The Gross of Green Spectacles" is more than just an artwork; it is a window into a bygone era filled with imagination and creativity. Its presence in The Metropolitan Museum of Art serves as a testament to its enduring legacy as an iconic representation of British artistry at its finest.
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