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Gratitude, 1871

Gratitude, 1871


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Gratitude, 1871

Gratitude, 1871. The vagrant exclaims And they Ain t half Buttered! I could a done as well if I d Gone up the Lane to the Union! The ingratitude of the poor or the charity given is illustrated in this cartoon. It was believed that by offering charity, the poor were actively pauperised and became more and more demanding and reliant upon handouts, and less willing to work. From Punch, or the London Charivari, February 18, 1871

Heritage Images features heritage image collections

Media ID 14831510

© The Print Collector / Heritage-Images

Charity Charles Samuel Charles Samuel Keene Heritage Image Partnership Homeless Homelessness Keene Ragged Vagrant Ingratitude Ungrateful


EDITORS COMMENTS
This print, titled "Gratitude, 1871" by Charles Samuel Keene, offers a thought-provoking glimpse into the concept of poverty and charity in the 19th century. The image portrays a ragged vagrant standing in the snow-covered streets, his face etched with despair. With biting satire, he exclaims, "And they Ain't half Buttered! I could have done as well if I'd Gone up the Lane to the Union!". This cartoon illustrates the ingratitude of the poor or their perceived lack thereof when receiving charity. During this era, it was widely believed that offering assistance to those in need only perpetuated their reliance on handouts rather than encouraging them to work. The artist highlights this sentiment through his caricatured portrayal of homelessness and destitution. As winter's icy grip tightens its hold on society, Keene's engraving serves as a stark reminder of the hardships faced by marginalized individuals. The monochrome composition adds an air of melancholy to this wintry scene while emphasizing societal contrasts between wealth and poverty. Through intricate detailing and masterful strokes, Keene captures both physical deprivation and emotional desolation within a single frame. "Gratitude, 1871" stands as a testament to Charles Samuel Keene's artistic prowess in capturing social commentary through visual storytelling. It invites viewers to reflect upon notions of gratitude and compassion while shedding light on historical perspectives surrounding poverty relief efforts during that time period.

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