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Geese Descending on the Sumida River (Sumidagawa no rakugan), from the series... c. 1768 / 69. Creator: Suzuki Harunobu
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Geese Descending on the Sumida River (Sumidagawa no rakugan), from the series... c. 1768 / 69. Creator: Suzuki Harunobu
Geese Descending on the Sumida River (Sumidagawa no rakugan), from the series " Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69
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Media ID 25324365
© Heritage Art/Heritage Images
Chuban Descending Edo Japan Fishing Fishing Rod Geese Goose Harunobu Harunobu Suzuki River Sumida Sumida Sumida River Suzuki Harunobu Tokyo Japan Waterfowl Block Printing Color Woodblock Print Green Colour Tokugawa Period Woodblock Woodblock Printing Young Woman
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Geese Descending on the Sumida River - A Serene Snapshot of Edo Japan
EDITORS COMMENTS
. This woodblock print, titled "Geese Descending on the Sumida River" transports us back to 18th century Edo Japan. Created by Suzuki Harunobu as part of his renowned series "Eight Fashionable Views of Edo" this artwork beautifully captures a moment in time. The scene unfolds along the tranquil waters of the Sumida River, where two women leisurely engage in fishing. The soft blue hues and delicate brown tones evoke a sense of calmness, while the vibrant green color adds depth to the surrounding landscape. As geese gracefully descend from above, their presence creates an ethereal atmosphere. These waterfowl symbolize freedom and migration, reminding viewers of nature's ever-changing cycles. Harunobu's mastery in block printing is evident in every detail - from the intricate patterns adorning the women's kimonos to the meticulous rendering of boats gliding across the river. This art form, known as ukiyo-e or "pictures of the floating world" was highly popular during Japan's Tokugawa period. Through this print, we glimpse into a bygone era when life revolved around riverside activities and transportation played a vital role in connecting communities. It serves as both a historical document and an exquisite work of art that continues to captivate audiences today. Displayed at The Art Institute Chicago, this piece stands as a testament to Suzuki Harunobu's artistic brilliance and offers us a window into Edo Japan's rich cultural heritage.
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