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Frontispiece for Venus and Tannhauser, 1895. Creator: Aubrey Beardsley
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Frontispiece for Venus and Tannhauser, 1895. Creator: Aubrey Beardsley
Frontispiece for Venus and Tannhauser, 1895. Alternative title: Venus between Terminal Gods. A crown hovers above Venus who is flanked by classical sculptures holding pan pipes and balancing baskets of fruit on their heads. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364627
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Bunch Of Grapes Bunches Of Grapes Climbing Plant Climbing Plants Decadent Movement Deities Frontispiece Gods Grape Grapes Herm Herms Pan Pipes Publishing Publishing House R A Walker Rainforth Armitage Walker Roses Shirley Markham Trellis Venus Walker Walker R A Walker Rainforth Armitage Graphic Design Musical Instruments
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EDITORS COMMENTS
This print, titled "Frontispiece for Venus and Tannhauser, 1895" is a mesmerizing creation by the renowned artist Aubrey Beardsley. The image showcases Beardsley's distinct Art Nouveau style, characterized by intricate lines and delicate details. At the center of the composition stands Venus, the Roman goddess of love and beauty. She exudes elegance as a crown hovers above her head, symbolizing her divine status. Flanking her are classical sculptures holding pan pipes, representing music, while balancing baskets of luscious fruits on their heads. The juxtaposition of these elements creates a harmonious blend between nature and artifice. Climbing plants entwine around trellises in the background, emphasizing the connection between humans and their natural surroundings. Beardsley's meticulous attention to detail is evident in every aspect of this illustration. From the graceful drapery adorning Venus' dress to each individual grape in the bunches held by the sculptures – no element is overlooked. This frontispiece was originally featured in "Venus between Terminal Gods" but has gained recognition through its inclusion in "The Best of Beardsley". It serves as a testament to Beardsley's talent as both an illustrator and graphic designer during Britain's decadent movement. With its striking imagery and symbolic references to mythology and literature, this print invites viewers into an enchanting world where beauty reigns supreme.
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