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The Expulsion of Heliodorus from the Temple, c1650. Artist: Bernardo Cavallino
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The Expulsion of Heliodorus from the Temple, c1650. Artist: Bernardo Cavallino
The Expulsion of Heliodorus from the Temple, c1650. This painting illustrates the biblical episode (2 Maccabees, 3:21-28) of the fate of Heliodorus, sent by Seleucus, King of Syria, to take the treasure preserved in the Temple of Jerusalem. At the request of the high priest Onias, God has Heliodorus beaten and banished from the Temple. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
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Media ID 14889912
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Beating Bernardo Campania Cavallino Divine Intervention Expulsion Israel Jerusalem Mounted Naples Neapolitan Repelling Baroque Era Heliodorus Old Testament
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The Expulsion of Heliodorus from the Temple, c1650
EDITORS COMMENTS
is a captivating painting by Italian artist Bernardo Cavallino. This artwork beautifully depicts a significant biblical episode found in 2 Maccabees, where Heliodorus, sent by King Seleucus of Syria to seize the treasure in the Temple of Jerusalem, faces divine intervention. The scene unfolds with great intensity as we witness Heliodorus being forcefully repelled and beaten by heavenly forces at the request of high priest Onias. The composition showcases Cavallino's mastery in capturing dramatic moments through his use of color and light. The central focus lies on Heliodorus, who is mounted on a horse surrounded by chaos. His face reflects fear and astonishment as he realizes that his mission has been thwarted by an unseen power. Meanwhile, angels descend upon him with divine wrath, their presence symbolizing God's protection over His sacred temple. Cavallino's attention to detail is evident in every brushstroke; from the intricate armor worn by soldiers to the expressions on their faces filled with determination and awe. The vibrant colors bring life to this historical event while highlighting its religious significance. This remarkable piece can be found in the collection of the State A Pushkin Museum of Fine Arts in Moscow. It serves as a testament to Cavallino's skill as a Baroque-era painter and continues to captivate viewers with its powerful portrayal of divine intervention against those who seek to desecrate holy places.
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