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English Watching Descending Geese at Yoshida Bridge (Yoshida-bashi no rakugan, Igirisujin)... 1861. Creator: Utagawa Yoshitora
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English Watching Descending Geese at Yoshida Bridge (Yoshida-bashi no rakugan, Igirisujin)... 1861. Creator: Utagawa Yoshitora
English Watching Descending Geese at Yoshida Bridge (Yoshida-bashi no rakugan, Igirisujin), from the series " Eight Views of Yokohama in Musashino Province (Bushu Yokohama hakkei no uchi)", 1861
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Media ID 25325599
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Cartouche Descending Geese Goose Looking At View Shukuba Side Saddle Toyohashi Aichi Japan Utagawa Yoshitora Waterfowl Yoshida Yoshitora Utagawa Black Colour Block Printing Color Woodblock Print Oban Tokugawa Period Woodblock Woodblock Printing
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English Watching Descending Geese at Yoshida Bridge - A Glimpse into Edo Period Japan
EDITORS COMMENTS
. This photo print, created by Utagawa Yoshitora in 1861, transports us back to the enchanting world of Edo period Japan. Titled "English Watching Descending Geese at Yoshida Bridge" it is part of the renowned series "Eight Views of Yokohama in Musashino Province". The scene unfolds on a serene day as two English observers, a man and a woman, perch atop their horses near the iconic Yoshida Bridge. Their presence adds an intriguing cross-cultural dimension to this traditional Japanese landscape. As we delve deeper into the image, our attention is drawn to a flock of geese gracefully descending upon the tranquil waters below. The black color woodblock print beautifully captures their elegance and serenity. Yoshitora's masterful use of block printing techniques brings every detail to life - from the intricate cartouche framing the composition to the vibrant red accents that punctuate various elements within. This artwork not only showcases nature's beauty but also offers glimpses into daily life during this era. It reveals how people would pause amidst their journeys along Shukuba (post stations) like Toyohashi Aichi in awe of such breathtaking scenes. With its rich historical context and artistic brilliance, this piece exemplifies why Utagawa Yoshitora remains celebrated as one of Japan's most esteemed ukiyo-e artists. As we gaze upon this remarkable creation today, we are reminded of both our shared humanity across continents and cultures and our enduring fascination with nature's wonders.
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