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The Elgin Room, British Museum, Holborn, London, c1850. Artist: William Radclyffe
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The Elgin Room, British Museum, Holborn, London, c1850. Artist: William Radclyffe
The Elgin Room, British Museum, Holborn, London, c1850; an interior view showing visitors in the room
Heritage Images features heritage image collections
Media ID 15170896
© London Metropolitan Archives (City of London) / Heritage-Images
British Museum Camden Elgin Marbles Holborn Jewitt Llewellyn Llewellyn Jewitt Radclyffe Visitor William Radclyffe Ancient Greek
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EDITORS COMMENTS
This print takes us back to the mid-19th century, offering a glimpse into the Elgin Room at the British Museum in Holborn, London. The talented artist William Radclyffe skillfully captures this interior view, showcasing visitors immersed in the room's splendor. The Elgin Room is adorned with ancient Greek artifacts from the 19th century, transporting viewers to a time of rich history and artistic excellence. Amongst these treasures are the renowned Elgin Marbles, which have captivated art enthusiasts for centuries. This exhibition serves as a testament to mankind's enduring fascination with ancient Greece and its contributions to art. As we explore this monochrome scene, we can almost feel ourselves stepping into that very room alongside those curious visitors of yesteryear. The grandeur of the building itself adds an air of sophistication to this cultural haven nestled in Camden, London. Llewellyn Jewitt's engraving perfectly encapsulates both the scale and intricate details within this gallery space. It invites us to appreciate not only Radclyffe's remarkable talent but also our collective desire to preserve and showcase humanity's artistic achievements throughout history. This print from Heritage Images offers a window into a bygone era when museums were sanctuaries for knowledge seekers and lovers of beauty alike. Let it transport you back in time as you marvel at these timeless works of art on display within one of London's most treasured institutions – The British Museum.
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