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Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous...c. 1790. Creator: Torii Kiyonaga. Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous...c. 1790
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Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous...c. 1790. Creator: Torii Kiyonaga. Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous...c. 1790
Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous Poems (Haifu yanagidaru)", c. 1790
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Media ID 36200729
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Address Beige Betrayal Betraying Blind Blinds Chuban Discovering Discovery Kiyonaga Torii Orange Orange Colour Sekiguchi Shinsuke Sun Blind Torii Kiyonaga Torii School Veranda Verandah
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Discovering the Address of a Husband's Lover," a captivating ukiyo-e print by Torii Kiyonaga from the series "A Collection of Humorous Poems" (Haifu yanagidaru) created around 1790, invites viewers to peer into a moment of intrigue and betrayal. The print, a masterpiece of the Torii school, showcases three individuals on a veranda, their postures and expressions revealing a complex narrative. At the center, a woman in a beige kimono, her face obscured by a sun blind, intently examines an address book clutched in her hands. Her intense focus betrays her mission: to uncover the location of her husband's lover. To her left, a man in black clothing, his back turned, is oblivious to the scene unfolding before him. He wears a traditional Japanese hat and a long, flowing robe, his apparel indicative of the eighteenth century. To the right, a third figure, possibly a servant or a friend, sits in a more relaxed posture, dressed in orange clothing. His attention is divided between the two main characters, his expression a mix of curiosity and concern. The print's vibrant colors, intricate details, and expert use of chuban block printing techniques make it a standout piece in the annals of Japanese art. This woodblock print, a testament to the artistic school's ability to capture the human condition, is a must-see for any art enthusiast or those interested in the history of Asian art. The Art Institute of Chicago is fortunate to have this precious piece in its collection, showcasing the rich heritage of ukiyo-e and the concept of betrayal in eighteenth-century Japan.
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