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Disappointed Bride: Kono Flees Upon Discovering That the Ugly Bridegroom Is Not Whom... 1879. Creator: Tsukioka Yoshitoshi
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Disappointed Bride: Kono Flees Upon Discovering That the Ugly Bridegroom Is Not Whom... 1879. Creator: Tsukioka Yoshitoshi
Disappointed Bride: Kono Flees Upon Discovering That the Ugly Bridegroom Is Not Whom She Promised to Marry, 1879. Series: The Kanayomi Newspaper, no. 891
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Media ID 36368687
© Heritage Art/Heritage Images
1870s Action Bridal Bride Bridegroom Brides Deception Disappointed Disappointment Fleeing Groom Meiji Era Meiji Period Pleading Purple Refusal Refusing Running Away Taiso Tsukioka Yoshitoshi Ugly Yoshitoshi Tsukioka
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Disappointed Bride: Kono Flees Upon Discovering That the Ugly Bridegroom Is Not Whom She Promised to Marry," a captivating woodblock print by the renowned Japanese artist Tsukioka Yoshitoshi, dates back to the Meiji Era of the late 19th century. Part of the Kanayomi Newspaper series, this full-length print depicts a scene of heartache and deception, unfolding within the confines of a traditional Japanese interior. The image captures a moment of shock and disbelief as a resplendent bride, dressed in an elegant kimono of deep purple hue, turns away from her groom in horror. Her face, etched with lines of disappointment and distress, tells the story of a broken promise. The groom, standing before her, is an ugly, grotesque figure, his deception laid bare for all to see. The print's intricate details and vivid colors bring the scene to life, from the calligraphy adorning the walls to the delicate folds of the bride's kimono. The use of woodblock printing techniques adds depth and texture to the image, capturing the essence of the Ukiyo-e tradition. This poignant scene of marital disappointment is a testament to the human condition and the complexities of love and relationships. The print invites us to ponder the depths of deception and the consequences of broken promises, while also showcasing the rich heritage and traditions of Japanese art and culture during the Meiji Period. The Los Angeles County Museum of Art (LACMA) houses this masterpiece in its vast collection, a reminder of the enduring legacy of Tsukioka Yoshitoshi and the captivating world of Japanese woodblock prints.
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