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The Descent from the Cross, c. 1544
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The Descent from the Cross, c. 1544
The Descent from the Cross, c. 1544. Found in the Collection of Muse e des Beaux-Arts et d Arche ologie, Besanc on
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Media ID 15345406
© Renaissance / Heritage-Images
Agnolo 1503 1572 Besancon Bronzino Calvary Christ Carrying The Cross Cross Crucifixion Dead Christ Deposition Deposition From The Cross Deposition Of Christ Deposition Of The Cross Descent From The Cross Florentine School Golgotha Golgotha Hill Jerusalem Joseph Of Arimathea And Nicodemus Magdalen Magdalene Mary Magdalen Mary Magdalene Mourning Musée Des Beaux Arts Et Darchéologie Passion Passion Of Christ The Body Of Christ The Road To Calvary Via Dolorosa
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The Descent from the Cross, c. 1544
EDITORS COMMENTS
is a captivating oil on canvas painting that showcases Agnolo Bronzino's mastery of the Renaissance style. This exquisite artwork can be found in the esteemed collection of Musee des Beaux-Arts et d'Archeologie in Besancon. The scene depicted in this piece is one of profound sorrow and mourning as it portrays the moment when Jesus Christ's lifeless body is taken down from the cross after his crucifixion. The figures surrounding him include Mary Magdalene, Joseph of Arimathea, Nicodemus, and John, each displaying their grief and reverence for their fallen savior. Bronzino's attention to detail and skillful use of light and shadow create a sense of depth and realism within the composition. The viewer is drawn into this solemn moment at Golgotha Hill (Calvary), where Jesus was crucified outside Jerusalem. Through "The Descent from the Cross". Bronzino captures not only the physical act but also conveys deep spiritual significance. It serves as a powerful reminder of Christ's sacrifice for humanity and symbolizes hope amidst tragedy. This remarkable artwork stands as a testament to Bronzino's contribution to Florentine School art during this period. Its presence in Musee des Beaux-Arts et d'Archeologie allows visitors to experience firsthand its emotional impact while appreciating its historical importance within Christian iconography.
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