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The Daimyo's Ladies Procession at Eastern Capitol: Hachimangu Shrine and Chaki-Inari Shrine, 1845. Creator: Ando Hiroshige

The Daimyo's Ladies Procession at Eastern Capitol: Hachimangu Shrine and Chaki-Inari Shrine, 1845. Creator: Ando Hiroshige


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The Daimyo's Ladies Procession at Eastern Capitol: Hachimangu Shrine and Chaki-Inari Shrine, 1845. Creator: Ando Hiroshige

The Daimyo's Ladies Procession at Eastern Capitol: Hachimangu Shrine and Chaki-Inari Shrine (image 2 of 3), 1845

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Media ID 36361778

© Heritage Art/Heritage Images

1840s Colour Woodblock Prints Daimyo Feudal Feudalism Hachiman Shrine Inari Shrine Japanese Era Kamakura Kanagawa Japan Asia Litter Palanquin Parade Parasol Parasols Procession Processional Rooftop Rooftops Sedan Chair Shinto Shintoism Shrine Triptych


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EDITORS COMMENTS
Ando Hiroshige's captivating woodblock print, titled "The Daimyo's Ladies Procession at Eastern Capitol: Hachimangu Shrine and Chaki-Inari Shrine," depicts an elegant and grandiose scene from the Edo period of Japan (1845). The image captures a procession of ladies, likely belonging to a daimyo, or feudal lord, making their way to pay respects at Hachimangu Shrine and Chaki-Inari Shrine in Kamakura, Kanagawa Prefecture. The ladies are dressed in beautiful kimonos, adorned with intricate patterns and vibrant colors, accessorized with parasols, hats, and other traditional accessories. They are carried in palanquins, a common mode of transport for the elite during this era. The palanquins are expertly balanced atop the shoulders of their bearers, who walk along the winding road leading to the shrines. The buildings in the background, including the shrines and other structures, are depicted with meticulous detail, showcasing the skill and artistry of the woodblock printing technique. The use of blue and other colors adds depth and dimension to the scene, transporting the viewer to a bygone era. This print is a testament to the rich cultural heritage of Japan during the Edo period, providing a glimpse into the fashion, religion, and social structure of the time. It is a stunning example of Ando Hiroshige's mastery of the art of ukiyo-e, or "pictures of the floating world," and a valuable addition to any collection of Asian art.

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