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The Crystal Palace and its Refreshments; Gentlemen Visitors over-refreshed, 1854. Creator: George Cruikshank

The Crystal Palace and its Refreshments; Gentlemen Visitors over-refreshed, 1854. Creator: George Cruikshank


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The Crystal Palace and its Refreshments; Gentlemen Visitors over-refreshed, 1854. Creator: George Cruikshank

The Crystal Palace and its Refreshments; Gentlemen Visitors over-refreshed, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

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Media ID 36248789

© The Print Collector/Heritage Images

Alcohol Cruikshank George Crystal Palace Drinker Drinkers Drinking Drunk Drunken Drunkenness Excess George Cruikshank Liquor Overindulgence Refreshment Visitor Visitors


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > George Cruikshank

> Arts > Artists > W > George White

> Europe > United Kingdom > England > London > Sights > Crystal Palace

> Europe > United Kingdom > England > Palaces


EDITORS COMMENTS
This image, titled 'The Crystal Palace and its Refreshments; Gentlemen Visitors over-refreshed' was created by renowned English satirist and illustrator, George Cruikshank, in 1854. Published in Cassells Illustrated Family Paper, this black and white engraving offers a humorous commentary on the excesses of the Crystal Palace, a popular attraction in London during the Victorian era. The Crystal Palace, an iconic glass and iron structure, was originally built for the Great Exhibition of 1851 and later re-erected in Sydenham, South London, as a permanent exhibition space. The Palace drew thousands of visitors, who were enthralled by its innovative design and the diverse range of exhibits. Cruikshank's print satirically portrays a group of gentlemen, clad in fashionable Victorian attire, indulging in copious amounts of alcohol at the Palace's refreshment rooms. The men, depicted with rosy cheeks and glassy eyes, are shown in various stages of intoxication, from mildly tipsy to completely drunk. The scene is further accentuated by the presence of a disheveled man, lying on the floor, seemingly unconscious. The print serves as a commentary on the societal norms of the time, where excessive drinking was a common pastime for the affluent classes. Cruikshank's use of satire effectively highlights the potential consequences of overindulgence, offering a stark contrast to the grandeur and elegance of the Crystal Palace. This print, with its intricate details and thought-provoking commentary, is a fascinating glimpse into the past, offering insights into the societal mores and cultural practices of the Victorian era.

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