The Crystal Palace and its Refreshments; Animals not yet "Extinct" in the Crystal Palace, 1854. Creator: Unknown. The Crystal Palace and its Refreshments; Animals not yet "Extinct" in the Crystal Palace, 1854. Creator: Unknown

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The Crystal Palace and its Refreshments; Animals not yet "Extinct" in the Crystal Palace, 1854. Creator: Unknown. The Crystal Palace and its Refreshments; Animals not yet "Extinct" in the Crystal Palace, 1854. Creator: Unknown

The Crystal Palace and its Refreshments; Animals not yet "Extinct" in the Crystal Palace, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

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Media ID 36248801

© The Print Collector/Heritage Images

Alcohol Barrel Barrels Celebration Celebrations Crystal Palace Drinker Drinkers Drinking Drunk Drunken Drunkenness Excess Liquor Overindulgence Refreshment Visitor Visitors

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> Europe > United Kingdom > England > London > Sights > Crystal Palace

> Europe > United Kingdom > England > Palaces

EDITORS COMMENTS
The Crystal Palace and its Refreshments: Animals not yet 'Extinct' in the Crystal Palace, 1854" is an intriguing and satirical engraving from the Victorian era, published in the Cassells Illustrated Family Paper in London between December 1853 and December 1854. The image captures the Crystal Palace, a grand architectural marvel of the time, adorned with various animals and men, all engaged in the act of drinking. The Crystal Palace, an iconic landmark of Britain, was originally built for the Great Exhibition of 1851 and was renowned for its glass and iron structure. However, in this print, the focus shifts from its architectural brilliance to the human indulgence that took place within its walls. The title of the print alludes to the idea that not only are the animals in the Crystal Palace not extinct, but the men, in their drunken state, are also on the brink of becoming extinct due to their excessive drinking. The print depicts a lively scene, with men of all ages and backgrounds, seated at long tables, each one holding a glass in hand, some even passing around barrels of liquor. The animals, including lions, tigers, and elephants, are shown in a festive mood, with some even joining in the drinking. A man in the foreground is shown using a corkscrew to open a barrel, while another man, who appears to be in a drunken stupor, lies on the floor, surrounded by empty glasses. The print is a satirical commentary on the excess and overindulgence that was prevalent during Victorian celebrations. It serves as a reminder of the human tendency to let go of inhibitions and indulge in drink, even in the most prestigious of settings. The Crystal Palace, which was once a symbol of British pride and achievement, is transformed into a scene of drunken revelry, highlighting the contrast between the grandeur of the building and the debauchery of its visitors.

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