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The concert, 1655. Artists: Otto Limited, Gerard Terborch II

The concert, 1655. Artists: Otto Limited, Gerard Terborch II


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The concert, 1655. Artists: Otto Limited, Gerard Terborch II

The concert, 1655. Painting held in the Gemaldegalerie, Berlin. From The Connoisseur Volume 104. [Otto Limited, London, 1939]

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Media ID 14967787

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Borch Cellist Cello Cello Player Concert Gerard Ii Gerard Ii Ter Gerard Ter Borch Gerard Ter Borch Ii Gerard Ter Borch The Younger Gerard Terborch Ii Harpsichord Harpsichordist Limited Orange Orange Colour Otto Otto Limited Skirt Terborch The Connoisseur Baroque Era Gemaldegalerie Playing An Instrument


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The Concert, 1655

EDITORS COMMENTS
is a captivating snapshot of the vibrant music scene in 17th century Holland. This exquisite painting, held in the Gemaldegalerie in Berlin, showcases the artistic brilliance of Otto Limited and Gerard Terborch II. The image transports us to an intimate interior setting where two women are engrossed in their musical performance. Dressed elegantly in orange-hued attire that reflects the fashion trends of the time, these talented musicians captivate our attention. One woman skillfully plays a cello while her companion delicately handles a harpsichord. Their synchronized movements and focused expressions reveal their passion for creating harmonious melodies. The baroque era comes alive through this artwork's meticulous attention to detail. From the richly textured fabrics adorning their jackets and skirts to every intricately painted musical instrument, each element contributes to the overall grandeur of this scene. As we gaze upon this enchanting portrayal, it becomes evident that "The Concert" not only captures a moment frozen in time but also serves as a testament to Dutch cultural heritage. It allows us to immerse ourselves in an era when music was cherished as an integral part of daily life. This remarkable print from "The Connoisseur Volume 104" published by Otto Limited London in 1939, offers art enthusiasts and history lovers alike an opportunity to appreciate Terborch's masterful brushwork and celebrate the enduring beauty of classical music within its historical context.

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