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The Cogent Reason, plate four from Intimacies, 1898. Creator: Félix Vallotton
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The Cogent Reason, plate four from Intimacies, 1898. Creator: Félix Vallotton
The Cogent Reason, plate four from Intimacies, 1898
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Media ID 36192958
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Art Movement Desk Felix Edouard Vallotton Felix Vallotton Graphics Intimacy Intimate Journal Kiss Kissing La Revue Blanche Les Nabis Literary Nabis Post Impressionism Romance Romancing Swiss Switzerland Tense Tension Vallotton Felix Woodcut In Black On Cream Wove Paper Wove Paper
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EDITORS COMMENTS
"The Cogent Reason, plate four from Intimacies, 1898, is a captivating print by the Swiss artist Félix Vallotton. This image is a testament to the artistic movement known as Les Nabis, which emerged in France during the late 19th century as a response to Post-Impressionism. Vallotton's work, in particular, is characterized by his use of bold lines, simplified forms, and a satirical take on everyday life. In this print, Vallotton depicts an intimate scene of a couple engrossed in each other's company. The man and woman are seated at a small desk, their heads close together as they share a passionate kiss. The room is dimly lit, with only a single lamp casting a warm glow over the figures. The simple furnishings and sparse decor suggest an indoor setting, perhaps a quiet study or a cozy corner of a home. The title of the print, "The Cogent Reason," adds an intriguing layer of meaning to the image. It is unclear whether this refers to the reason for their closeness or a deeper philosophical concept. Some art historians suggest that the title is a nod to the literary magazine, La Revue Blanche, for which Vallotton created a series of illustrations, including this print. Despite its small size, "The Cogent Reason" is a powerful depiction of intimacy and romance. Vallotton's use of contrast and shading creates a sense of depth and texture, drawing the viewer into the scene. The print is a testament to the artist's skillful use of graphic elements and his ability to capture the essence of human emotion." This print is now part of the permanent collection at the Art Institute of Chicago and is a must-see for anyone interested in the history of art and the evolution of artistic movements in the late 19th century.
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