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The Cock Pit, c1840, (1917). Artist: George Presbury
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The Cock Pit, c1840, (1917). Artist: George Presbury
The Cock Pit, c1840. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albermarle Bertie (centre) is being robbed by a figure taking a note out of his upturned hat. Engraving after William Hogarth (1697-1764) From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]
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Media ID 14961294
© The Print Collector
Animal Cruelty Arial View Bertie Betting Chicken Cock Cock Fighting Cockerel Cockfighting Cockpit Crowded Elevated View G Presbury Gambling George Presbury Hogarth Noise Presbury Rooster Shouting Spectator The Connoisseur W Hogarth William Hogarth Albermarle
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The Cock Pit, c1840
EDITORS COMMENTS
is a captivating print that takes us back to the vibrant world of cockfighting in the 19th century. Created by George Presbury and based on an engraving after William Hogarth, this image captures the essence of this controversial sport. In this bustling scene, we see a diverse group of spectators gathered outdoors to witness the intense matches between roosters. The atmosphere is filled with noise and excitement as men from all walks of life engage in heated gambling and spirited arguments. Amidst the chaos, our attention is drawn to Lord Albermarle Bertie at the center, who appears unaware that he is being robbed by a cunning figure discreetly taking money from his upturned hat. The monochrome composition adds depth and drama to this snapshot of history. From an elevated view, we observe smoke rising from pipes as men anxiously place their bets on these fierce bird battles. The aerial perspective allows us to appreciate both the crowded nature of the cockpit and its surrounding landscape. While "The Cock Pit" offers a glimpse into a pastime that was once widely accepted but now considered animal cruelty, it also serves as a reminder of how societal norms evolve over time. This print preserves not only an important moment in sporting history but also showcases George Presbury's skillful interpretation of William Hogarth's original work for readers of "The Connoisseur" magazine in 1917.
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