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Chinese Man from Nanking Admiring a Fan (Shincho Nankinjin kansho Koshu ogi no zu)... 1860. Creator: Sadahide Utagawa

Chinese Man from Nanking Admiring a Fan (Shincho Nankinjin kansho Koshu ogi no zu)... 1860. Creator: Sadahide Utagawa


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Chinese Man from Nanking Admiring a Fan (Shincho Nankinjin kansho Koshu ogi no zu)... 1860. Creator: Sadahide Utagawa

Chinese Man from Nanking Admiring a Fan (Shincho Nankinjin kansho Koshu ogi no zu), from the series " Foreigners Drawn from Life (Ikiutsushi ikoku jinbutsu)", 1860

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Media ID 25325345

© Heritage Art/Heritage Images

Admiration Admiring Braid Braided Cartouche Gountei Sadahide Gyokuran Hashimoto Gyokuransai Sadahide Hand Held Handheld Hashimoto Gyokuran Hashimoto Sadahide Kenjiro Utagawa Maroon Nanjing Jiangsu China Nanking Plait Plaited Sadahide Gountei Sadahide Gyokuransai Sadahide Hashimoto Sadahide Utagawa Shaved Tourist Utagawa Kenjiro Utagawa Sadahide Utagawa School Black Colour Block Printing Calligraphy Color Woodblock Print Oban Tokugawa Period Woodblock Woodblock Printing


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> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > S > Utagawa Sadahide

> Arts > Artists > U > Sadahide Utagawa

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> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Arts > Street art graffiti > Portraits > Fine art

> Asia > China > Nanjing

> Asia > Japan > Related Images


EDITORS COMMENTS
In this print titled "Chinese Man from Nanking Admiring a Fan" we are transported back to the 18th century, during the Edo period in Japan. Created by Sadahide Utagawa as part of his series "Foreigners Drawn from Life" this artwork beautifully captures the admiration and appreciation for art across continents. The Chinese man depicted in the image is shown with intricate braided hair, wearing traditional attire that reflects his cultural heritage. With a handheld fan delicately held in his hand, he gazes upon it with deep contemplation and awe. The artist's attention to detail is evident in every stroke of the woodblock print, showcasing his mastery of this artistic technique. The use of maroon and red hues adds depth and richness to the composition, enhancing its visual impact. The calligraphy on the cartouche further emphasizes the significance of this piece within Asian arts. Displayed at an art gallery or institute such as Art Institute Chicago, this artwork serves as a testament to cross-cultural exchange and appreciation for different artistic schools. It invites viewers to explore not only the beauty captured within this particular moment but also encourages them to delve deeper into Asia's diverse heritage. Sadahide Utagawa's skillful portrayal reminds us that art transcends borders and time periods, connecting people through shared admiration for creativity and expression.

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