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Ceiling in Chamber II of the Coemeterium Maius on the Via Nomentana, Rome, Italy, (1928)

Ceiling in Chamber II of the Coemeterium Maius on the Via Nomentana, Rome, Italy, (1928)


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Ceiling in Chamber II of the Coemeterium Maius on the Via Nomentana, Rome, Italy, (1928)

Ceiling in Chamber II of the Coemeterium Maius (catacombs) on the Via Nomentana, Rome, Italy, (1928). 1st half of 4th century...The Good Shepherd, Miracle of the Source, the Fall, veiled figure praying, Jonas resting, birds and vases with fruit. After Joseph Wilpert. Plate XLVII, fig 104, from " An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd. Berlin, 1928]

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Media ID 19667095

© The Print Collector/Heritage Images

4th Century Archaeological Bossert Bossert Hellmut Theodor Bossert Helmuth Bossert Helmuth Theodor Burial Chamber Catacomb Catacombs Ceiling Encyclopaedia Of Colour Decoration Ernst Ernst Wasmuth Ltd Ernst Wasmuth Verlag Fresco Hellmut Theodor Hellmut Theodor Bossert Helmuth Helmuth Bossert Helmuth Theodor Helmuth Theodor Bossert Josef Josef Wilpert Joseph Wilpert Mausoleum Miracle Miraculous Vaulted Vaulted Ceiling Wasmuth Ltd Wasmuth Ltd Ernst Wasmuth Verlag Wasmuth Verlag Ernst Wilpert Wilpert Josef Wilpert Joseph Ancient Roman Interior Decoration Interior Design


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EDITORS COMMENTS
This black and white lithograph captures the intricate beauty of the ceiling in Chamber II of the Coemeterium Maius on the Via Nomentana in Rome, Italy. Dating back to the 1st half of the 4th century, this ancient Roman burial chamber is adorned with a stunning array of decorative elements. The focal point of this artwork is "The Good Shepherd" a powerful depiction of Christ carrying a lamb on his shoulders. Surrounding this central figure are various scenes including "Miracle of the Source" "the Fall" and a veiled figure praying, each contributing to an atmosphere rich with symbolism and spiritual significance. The artist responsible for capturing this remarkable piece was Joseph Wilpert, whose attention to detail brings every element to life. The lithograph itself comes from Ernst Wasmuth Ltd. , Berlin in 1928 as part of their publication titled "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century". Helmuth Bossert provides explanatory text that enhances our understanding and appreciation for this architectural gem. As we gaze upon this image, we are transported back in time, marveling at both its historical significance and artistic mastery. It serves as a testament to Rome's rich cultural heritage and reminds us that even centuries later, these ancient wonders continue to captivate our imagination.

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