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Carlo the Great, Running Away with the East Indes, published June 1806

Carlo the Great, Running Away with the East Indes, published June 1806


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Carlo the Great, Running Away with the East Indes, published June 1806

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Media ID 24369045

© Heritage Art/Heritage Images

Ansell Argus C Williams Caricatureprints And Drawings Charles Williams East India Company East Indies Elephant English Text Fight Looting Pillaging Plunder Plundering Speech Bubble Western Script Williams C Williams Charles Etched Hand Coloured Hand Tinted India House Parody Satirical Standard


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Phasianidae > Great Argus

> Architecture > Great Houses

> Arts > Artists > H > Thomas Hand

> Arts > Artists > W > Charles Williams

> Arts > Pop art > Satire > Satirical artwork

> Asia > India > Related Images

> Humour > Postcard

> Humour > Related Images


Carlo the Great, Running Away with the East Indes - A Satirical Take on Colonialism in 19th Century Britain

EDITORS COMMENTS
. This print captures a satirical artwork titled "Carlo the Great, Running Away with the East Indes" published in June 1806 by Charles Williams. In this piece, Williams uses humor and wit to critique British colonialism during that era. The image depicts a chaotic scene where Carlo, symbolizing Western powers, is seen fleeing with plundered treasures from the East Indies. The elephant he rides represents both power and exploitation. Surrounding him are men engaged in pillaging and looting while waving flags of conquest. Williams' clever use of caricature and hand tinting adds depth to his message. Handwriting and speech bubbles further emphasize his criticism of colonial practices. Through this artwork, he highlights the greed-driven nature of imperialism while shedding light on its detrimental impact on colonized nations. Displayed at Art Institute Chicago's gallery as part of their collection showcasing historical satire prints, this piece invites viewers to reflect upon past injustices committed under the guise of trade and progress. It serves as a reminder that art can be an effective tool for social commentary even centuries later. As we admire this thought-provoking artwork today, let us remember its significance in challenging dominant narratives surrounding colonial history and encouraging dialogue about our shared heritage.

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