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Buddha with His Hands Raised in Dharmacakra Mudra... ca. 1090. Creator: Unknown

Buddha with His Hands Raised in Dharmacakra Mudra... ca. 1090. Creator: Unknown


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Buddha with His Hands Raised in Dharmacakra Mudra... ca. 1090. Creator: Unknown

Buddha with His Hands Raised in Dharmacakra Mudra, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript, ca. 1090. Teaching a sermon at Sarnath

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Media ID 19843983

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11th Century Bangladesh Bengal Buddha Calligraphy Disciple Eleventh Century Mahayana Mahayana Buddhism Mudra Opaque Watercolor On Palm Leaf Perfection Of Wisdom Prajnaparamita Sermon Teaching Uttar Pradesh Hindoostan Sarnath


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EDITORS COMMENTS
This print showcases a remarkable piece of art titled "Buddha with His Hands Raised in Dharmacakra Mudra". Created around 1090 by an unknown artist, this leaf is part of a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript. The image captures Buddha teaching a sermon at the sacred site of Sarnath. The painting depicts Buddha in the Mahayana tradition, displaying his hands raised in the Dharmacakra Mudra gesture. This hand gesture symbolizes the turning of the wheel of law and represents Buddha's teachings on enlightenment and liberation from suffering. The use of opaque watercolor on palm leaf adds depth and vibrancy to this ancient artwork. Located in Bangladesh during the 11th century, Bengal was home to rich cultural heritage and religious diversity. This portrait serves as a testament to India's profound influence on Buddhism, showcasing its deep roots within Indian society. Preserved by The Metropolitan Museum of Art, this exquisite piece exemplifies both artistic mastery and spiritual significance. It offers viewers an opportunity to connect with centuries-old traditions while contemplating the perfection of wisdom imparted through Buddha's teachings. With its intricate calligraphy, vibrant colors, and three people attentively listening to Buddha's sermon, this photograph invites us into a world where religion intertwines with education and discipleship. As we gaze upon it today, we are reminded that despite being created over nine centuries ago by an unknown artist from Uttar Pradesh region in India (formerly known as Hindoost

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