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'Bambaras and their Head-dresses; Journey from the Senegal to the Niger, 1875. Creator: Unknown
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'Bambaras and their Head-dresses; Journey from the Senegal to the Niger, 1875. Creator: Unknown
Bambaras and their Head-dresses; Journey from the Senegal to the Niger, 1875. From Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London] and Galpin
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Media ID 36366103
© The Print Collector/Heritage Images
1870s Bambara Bates Henry Walter Bates Hw Braid Braided Cassell Petter Galpin Eugene Abdon Mage Henry Walter Bates Hw Bates Illustrated Travels Mage Eugene Abdon Mali Malian Petter And Galpin Plait Plaited Senegal Senegalese West Africa West African
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Bambaras and their Head-dresses; Journey from the Senegal to the Niger,
EDITORS COMMENTS
is an intriguing 19th century photograph that captures the traditional attire and distinctive headwear of the Bambara people, an ethnic group primarily residing in Mali and neighboring countries in West Africa. The image, created by an unknown photographer, is taken from Henry Walter Bates' "Illustrated Travels," published by Cassell, Petter, and Galpin in London around 1880. The photograph showcases a group of Bambara men and women, dressed in their indigenous clothing, with direct gaze and confident posture as they face the camera. The men are seen wearing loincloths, adorned with intricate braids and plaits, and sporting tall, conical hats made from woven grass or palm leaves. The women, on the other hand, are dressed in long, flowing robes, decorated with colorful patterns, and their hair is styled in elaborate braids and plaits, often adorned with beads and other ornaments. The Bambara people have a rich cultural heritage, and their headwear is an essential aspect of their identity. The hats, known as "guy," are believed to have both practical and symbolic significance. They protect the wearer from the sun and rain, and also serve as a status symbol, with the height of the hat indicating the wearer's social standing. This photograph offers a fascinating glimpse into the lives of the Bambara people during the late 19th century, providing valuable insights into their traditional clothing and cultural practices. The direct gaze of the subjects, who seem to be looking straight at the viewer, adds an intimate and engaging quality to the image, making it a captivating and important historical document.
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