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Babes in the Wood, 1859
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Babes in the Wood, 1859
Babes in the Wood, 1859. Napoleon III left the Regency of France in the hands of the Empress Eugenie and left Paris to join the Italian army. The Franco-Austrian war began on 26th April 1859. Napoleon met King Victor Emmanuel of Italy at Genoa on 13th May 1859. This cartoon depicts Napoleon facing up to the representative of the Austrian army, identifiable by the two-headed eagle emblem on his back. In the background, Victor Emmanuel of Sardinia (crowned King Victor Emmanuel II of Italy at Turin in 1861) shields an anxious Italy as she awaits the outcome of the battle. From Punch, or the London Charivari, May 28, 1859
Heritage Images features heritage image collections
Media ID 14829259
© The Print Collector / Heritage-Images
Anxious Bonaparte Boot Boots Charles Louis Napoléon Charles Louis Napoleon Bonaparte Countess Countess Of Teba Emperor Napoleon Iii Empress Empress Eugenie Empress Eugenie De Montijo Empress Of France Eug Nie Eugenie Eugenie De Feather Feathers Heritage Image Partnership Louis Napoleon Montijo Napoleon Bonaparte Iii Napoleon Iii Plume Protect Protected Protection Victor Emmanuel Allegorical Figure Footwear
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EDITORS COMMENTS
This print captures a significant moment in history, showcasing the political tensions of the 19th century. Titled "Babes in the Wood, 1859" it depicts Emperor Napoleon III of France facing off against an Austrian representative during the Franco-Austrian war. The cartoon cleverly portrays Napoleon with his back to us, confronting the emblematic two-headed eagle symbolizing Austria's army. In the background stands King Victor Emmanuel II of Italy, who anxiously shields his country as they await the outcome of this battle. This allegorical figure represents Italy's hopes for independence and unification under his rule. The image showcases Empress Eugenie de Montijo, wife of Napoleon III, wearing a feathered hat and elegant clothing that signifies her royal status. The print is a satirical engraving from Punch magazine on May 28th, 1859. It not only reflects the political climate but also highlights gender roles at that time by featuring prominent male figures alongside women depicted as anxious bystanders. Preserved by Heritage Images Partnership, this piece offers insight into European politics and power dynamics during this era. It serves as a reminder of how art can encapsulate historical moments while providing commentary on societal issues such as war and national identity.
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