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Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. Creator: Philip Galle

Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. Creator: Philip Galle


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Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. Creator: Philip Galle

Avarice (Avaritia) from the series The Seven Deadly Sins, 1558. After Pieter Bruegel the Elder

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Media ID 20573367

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Avarice Breugel Breugel Pieter Bruegel Bruegel Pieter The Elder Brueghel Brueghel Peter Brueghel Pieter The Elder Cock Cock Hieronymus Coin Coinage Creature Currency Gallaea Gallaea Philippo Gallaeus Gallaeus Philippus Galle Galle Philip Galle Philipp Galle Philippus Galle Philips Galleus Galleus Philipp Greed Hieronymus Hieronymus Cock Hoarding Imaginary Monster Peter Brueghel Peter Brueghel The Elder Philip Philip Galle Philipp Philipp Galle Philipp Galleus Philippo Philippo Gallaea Philippus Philippus Gallaeus Philippus Galle Philips Philips Galle Pieter Pieter Breugel Pieter Bruegel I Pieter Bruegel The Elder Pieter Brueghel The Elder Pieter The Elder Seven Deadly Sins Surreal The Elder Netherlandish


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EDITORS COMMENTS
Avarice (Avaritia) from the series The Seven Deadly Sins, 1558" is a captivating print that transports us back to the 16th century. Created by Philip Galle after Pieter Bruegel the Elder, this piece explores the concept of greed in an imaginative and thought-provoking manner. In this engraving, we witness a group of people consumed by their insatiable desire for wealth and material possessions. The image showcases a monstrous creature representing Avarice, surrounded by men and women who are hoarding coins with fervent determination. Their faces reveal a mix of desperation and obsession as they succumb to their never-ending pursuit of riches. Galle's attention to detail is evident in every aspect of this artwork. From the intricate engravings on each coin to the expressive features on each individual's face, he masterfully captures the essence of greed. The use of black and white adds depth and intensity to the scene, emphasizing both light and shadow. This print serves as a reminder that throughout history, humanity has grappled with its own vices. It prompts us to reflect upon our own relationship with money and possessions in today's world. As we gaze at this haunting depiction of Avarice, we are compelled to question whether our desires have become all-consuming or if we can find balance amidst our pursuit for prosperity. Displayed proudly at the Metropolitan Museum of Art, "Avarice (Avaritia)" stands as a testament to Galle's artistic prowess while serving as an eternal warning against unchecked greed.

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