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Attack against M Georgewitch, minister of Serbia in Paris 1893. Artist: Frederic Lix

Attack against M Georgewitch, minister of Serbia in Paris 1893. Artist: Frederic Lix


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Attack against M Georgewitch, minister of Serbia in Paris 1893. Artist: Frederic Lix

Attack against M Georgewitch, minister of Serbia in Paris 1893. A print from the Le Petit Journal, 2nd December 1893

Heritage Images features heritage image collections

Media ID 14843920

© Artmedia / Heritage-Images

Attack Bowler Hat F Meaulle Fortune Louis Fortune Louis Meaulle Frederic Frederic Lix Frederic Theodore Frederic Theodore Lix Group Of People Hitting Le Petit Journal Meaulle Milan Minister Outnumbered Serbia Serbian Top Hat Upset Print Collector4


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > Frederic Lix

> Arts > Artists > M > Fortune Louis Meaulle

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Paris > Politics

> Europe > Italy > Lombardy > Milan

> Europe > Serbia > Politics

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
Attack against M Georgewitch, minister of Serbia in Paris 1893 captures a pivotal moment in history. This print by Frederic Lix, sourced from the renowned Le Petit Journal on 2nd December 1893, depicts an intense scene where Minister Georgewitch finds himself outnumbered and under attack. In this powerful image, we witness the struggle between politics and unrest as a group of people confronts the Serbian statesman inside an elegant interior. Dressed in his formal suit and hat, Minister Georgewitch stands tall amidst chaos and aggression. The furniture around them serves as a stark reminder of the civilized world that is being disrupted. The monochrome aesthetic adds to the gravity of the situation, emphasizing both the historical significance and emotional intensity of this event. As we gaze upon this nineteenth-century artwork, we are transported back to a time when political tensions ran high. Frederic Lix's skillful portrayal not only captures the physical altercation but also conveys deep emotions - frustration, anger, fear - etched on each face present in that room. It reminds us that even those who hold positions of power can be vulnerable when faced with opposition. This print serves as a testament to how art media can preserve moments that shape our understanding of politics and society. It allows us to reflect on past events while appreciating their relevance today.

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