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Astley Hall, Lancashire, home of Baronet de Hoghton, c1880
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Astley Hall, Lancashire, home of Baronet de Hoghton, c1880
Astley Hall, Lancashire, home of Baronet de Hoghton, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris, Volume V, William Mackenzie, London, c1880. Wood-engraved plates after paintings by Benjamin Fawcett and Alexander Francis Lydon
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Media ID 14924844
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Af Lydon Alexander Francis Lydon Alexander Lydon Baronet Benjamin Benjamin Fawcett Fawcett Lancashire Lydon Parkland Reflection Aristocracy Aristocrat Country House Print Collector8
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EDITORS COMMENTS
This print showcases Astley Hall, Lancashire, the esteemed residence of Baronet de Hoghton during the late 19th century. The image is part of a series called "A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland" edited by Reverend FO Morris. Published in London around 1880, this wood-engraved plate was created by renowned artists Benjamin Fawcett and Alexander Francis Lydon. The grandeur and architectural splendor of Astley Hall are evident in this print. Nestled amidst breathtaking parkland, the stately home exudes elegance with its striking exterior design. The reflection on the serene lake adds an enchanting touch to the scene, enhancing its natural beauty. Astley Hall's rich history is reflected in its seventeenth-century origins while still maintaining its charm into the nineteenth century. This picturesque country house stands as a testament to British aristocracy and their opulent lifestyle. The print captures not only the magnificent building but also highlights nature's role in complementing it. Lush gardens adorned with vibrant plants and majestic trees create a harmonious blend between man-made structures and their surroundings. Preserved through time, this engraving offers viewers a glimpse into Lancashire's cultural heritage while celebrating both architectural excellence and natural landscapes. It serves as a visual reminder of Britain's historical significance as well as an appreciation for artistry captured by Fawcett and Lydon.
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