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Arun Ghosh, 2010. Artist: Alan John Ainsworth

Arun Ghosh, 2010. Artist: Alan John Ainsworth


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Arun Ghosh, 2010. Artist: Alan John Ainsworth

Arun Ghosh Band, Gateshead International Jazz Festival, The Sage Gateshead, March 2010

Heritage Images features heritage image collections

Media ID 14829441

© Alan John Ainsworth

Ainsworth Alan John Alan John Ainsworth Arun Arun Ghosh Blowing Clarinet Clarinet Player Clarinetist Clarinettist Effort Fingers Gateshead Gateshead International Jazz Festival Ghosh Hand Jazz Festival Low Angle View Perspective Sage Gateshead Music Centre Selective Focus Tyne And Wear 2010s Hindoostan Jazz Musician Playing An Instrument


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EDITORS COMMENTS
This print captures the essence of Arun Ghosh, a talented jazz musician, during his performance at the Gateshead International Jazz Festival in March 2010. The image showcases Alan John Ainsworth's artistic vision as he focuses on Ghosh's hand and fingers skillfully playing the clarinet. Ghosh, a British-Indian artist, effortlessly blends his Indian heritage with contemporary jazz music, creating a unique and mesmerizing sound that resonates with audiences worldwide. In this shot, we witness his passion for music as he pours his heart into each note. The monochrome composition adds depth to the image while emphasizing Ghosh's dedication to his craft. The low angle view provides an intimate perspective, allowing us to appreciate not only the technicality of his playing but also the emotion conveyed through every breath. Set against the backdrop of The Sage Gateshead music centre—a modern architectural marvel—this photograph beautifully juxtaposes tradition and innovation. It symbolizes how art transcends boundaries and brings people together across cultures. As we gaze upon this snapshot frozen in time, we are reminded of both the rich history of jazz music and its continuous evolution into the 21st century. Arun Ghosh stands as a testament to this musical journey—an embodiment of talent, creativity, and unwavering commitment to one's artistry.

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