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Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561. Creator: Martin de Vos
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Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561. Creator: Martin de Vos
Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561
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Media ID 36288958
© Heritage Art/Heritage Images
Allegorical Allegorical Figures Apollo Brown Ink De Vos Maerten Deities Diana Fortune Gods Laid Down Maarten De Vos Maerten De Vos Mannerism Mannerist Marten De Vos The Elder Martin De Vos Sun God Time Transfer Vos Maarten De Vos Martin De Wash
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EDITORS COMMENTS
This 16th-century artwork, titled "Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life," is a masterpiece by the renowned Flemish artist Martin de Vos, created around 1561. The allegorical drawing, executed in pen and brown ink with gray wash over traces of graphite incised for transfer on laid paper, showcases an intricate interplay of ancient Greek and Roman deities. At the center, Apollo, the Greek god of music, prophecy, and the sun, is depicted with his lyre, symbolizing the harmony and order of the universe. To his left, Diana, the Roman goddess of the hunt, the moon, and chastity, is shown with her bow and quiver, representing the cyclic nature of life and its unpredictable twists. Time, personified as an old man with a scythe, is positioned between the two deities, symbolizing the inexorable passage of time and the cyclic vicissitudes of human life. The orb in Time's hand represents the ever-changing nature of fortune. The drawing is a testament to the artistic prowess of the Mannerist movement, characterized by its complex compositions and elongated figures. The intricate details, subtle shading, and masterful use of ink and wash create a striking contrast between the dynamic figures and the still background. This artwork is a treasure of world heritage and a must-see for anyone interested in art, ancient mythology, or the history of European art. It is currently on display at the National Gallery of Art in Washington, D.C., and is a reminder of the enduring influence of the artistic school of the Netherlands during the 16th century.
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