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Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Artist: Paul Gauguin
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Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Artist: Paul Gauguin
Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Annah the Javanese (born 1880/81) was Gauguin?s lover and model. She left him in 1894 and took all the valuables from his apartment when she left. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)
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Media ID 14945001
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Breast Breasts Eugène Henri Paul Gauguin Gaugin Gauguin Java Javanese John Rewald Lover Model Monkey Paul Paul Gauguin Post Impressionism Post Impressionist Rewald Seat Work Of Art Impressionist Nakedness Nudity Print Collector8
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EDITORS COMMENTS
This print showcases the artwork "Aita Tamari vahina Judith te Parari (Annah the Javanese)" by renowned artist Paul Gauguin. Created in 1893 but published in 1939, this piece represents Gauguin's lover and model, Annah the Javanese. Born around 1880/81, she played a significant role in Gauguin's life before leaving him in 1894, taking all his valuables with her. The image depicts Annah seated on a chair against an exquisite backdrop of French furniture. Her full-length figure exudes both vulnerability and strength as she gazes into the distance. The monkey perched on her shoulder adds an element of playfulness to the composition. Gauguin's use of color and impressionistic style is evident throughout this work of art. The vibrant hues bring life to Annah's body, highlighting her femininity while showcasing Gauguin's mastery as a painter. This photograph not only captures the beauty and complexity of Gauguin's artistic vision but also offers insight into his personal relationships and experiences during that time period. It serves as a testament to his ability to capture emotion through brushstrokes and immortalize it on canvas. As we admire this remarkable print from Heritage Images, let us appreciate its historical significance within the context of post-impressionism and nineteenth-century art movements.
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