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YOUNG THIEF, 1868. A New York City crowd giving chase to a young thief. Wood engraving, American, 1868

YOUNG THIEF, 1868. A New York City crowd giving chase to a young thief. Wood engraving, American, 1868


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YOUNG THIEF, 1868. A New York City crowd giving chase to a young thief. Wood engraving, American, 1868

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7499075

1868 Chase Crime Danger Manhattan Pickpocket Street Scene Theft


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> Arts > Portraits > Pop art gallery > Street art portraits

> North America > United States of America > New York > New York > Manhattan > Related Images


YOUNG THIEF, 1868 - A Glimpse into the Perils of New York City Streets

EDITORS COMMENTS
. This wood engraving from 1868 takes us back to the bustling streets of New York City during a time when danger lurked around every corner. The scene depicts a young thief being pursued by an enraged crowd, capturing the essence of a city teeming with life and crime. The print showcases the chaotic energy that permeated through Manhattan's crowded thoroughfares as men and women alike join forces in hot pursuit. Their determined faces reflect both anger at being victims of theft and a shared sense of justice prevailing over lawlessness. In this snapshot frozen in time, we witness not only the physical chase but also catch glimpses into society's dynamics. The diverse group chasing down the pickpocket represents North America's melting pot, with people from different backgrounds coming together against common threats. The artist skillfully captures the tension between order and chaos, highlighting how crime was an ever-present reality for residents during this era. Through intricate details etched onto wood, we are transported to an age where survival meant staying vigilant amidst constant peril. As we gaze upon this historic image, let it serve as a reminder that while times have changed since 1868, some challenges persist across generations. This artwork invites us to ponder our own urban landscapes today—how far have we come in curbing crime? And what lessons can be learned from those who once walked these same streets?

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