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ELGIN MARBLES, 1816. The Elgin Marbles! or John Bull buying Stones at the time

ELGIN MARBLES, 1816. The Elgin Marbles! or John Bull buying Stones at the time


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ELGIN MARBLES, 1816. The Elgin Marbles! or John Bull buying Stones at the time

ELGIN MARBLES, 1816.
The Elgin Marbles! or John Bull buying Stones at the time his numerous Family want Bread!! Cartoon by George Cruikshank, 1816, showing a conflicted John Bull purchasing the Greek sculptures from Lord Elgin at a time when the economy was bad in England

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Media ID 12416494

1816 Caricature Children Cruikshank Economy Elgin Family George Greek John Bull Lord Marble Personification Political Poor Poverty Sculpture Statue Turkish


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> Arts > Artists > C > George Cruikshank

> Arts > Sculpture

> Europe > United Kingdom > England > Sculptures

> Europe > United Kingdom > Scotland > Moray > Elgin

> Granger Art on Demand > World History


EDITORS COMMENTS
This print titled "ELGIN MARBLES, 1816. The Elgin Marbles! or John Bull buying Stones at the time his numerous Family want Bread!!" by George Cruikshank offers a satirical glimpse into the political and economic climate of England during the early 19th century. In this thought-provoking cartoon, we witness a conflicted John Bull, personifying England itself, grappling with a difficult decision. The image portrays John Bull purchasing Greek sculptures from Lord Elgin against the backdrop of an impoverished economy. With his numerous family members in dire need of sustenance, represented by children surrounding him, it becomes clear that this acquisition is not without controversy. Cruikshank's masterful caricature highlights both the allure and moral dilemma faced by England as it grapples with its own financial struggles. Through intricate details and clever symbolism, Cruikshank captures the essence of this historical moment. The ancient marbles themselves become metaphors for wealth and cultural heritage while also representing Britain's imperialistic tendencies towards other nations' treasures. This print serves as a poignant reminder of how art can reflect societal issues and provoke critical thinking about political decisions made during challenging times. It invites viewers to ponder questions around priorities in times of scarcity – should one prioritize feeding their family or investing in cultural artifacts? Ultimately, "ELGIN MARBLES" stands as an enduring testament to George Cruikshank's artistic prowess and his ability to capture complex social dynamics

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