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THORNTON: CEREUS. The Night-Blowing Cereus, or Queen of the night (Selenicereus grandiflorus). Engraving by Robert Dunkarton after a painting by Philip Reinagle and Abraham Pether for The Temple of Flora, by British botanist Robert John Thornton, 1800

THORNTON: CEREUS. The Night-Blowing Cereus, or Queen of the night (Selenicereus grandiflorus). Engraving by Robert Dunkarton after a painting by Philip Reinagle and Abraham Pether for The Temple of Flora, by British botanist Robert John Thornton, 1800


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THORNTON: CEREUS. The Night-Blowing Cereus, or Queen of the night (Selenicereus grandiflorus). Engraving by Robert Dunkarton after a painting by Philip Reinagle and Abraham Pether for The Temple of Flora, by British botanist Robert John Thornton, 1800

THORNTON: CEREUS.
The Night-Blowing Cereus, or Queen of the night (Selenicereus grandiflorus). Engraving by Robert Dunkarton after a painting by Philip Reinagle and Abraham Pether for The Temple of Flora, by British botanist Robert John Thornton, 1800

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7559489

1800 Abraham Biology Bloom Blossom Blow Botany British Flower Night Philip Reinagle Robert Stream Temple Of Flora Thornton Cereus Dunkarton Pether Queen Of The Night


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EDITORS COMMENTS
This print showcases the exquisite beauty of the Night-Blowing Cereus, also known as the Queen of the night (Selenicereus grandiflorus). Engraved by Robert Dunkarton after a painting by Philip Reinagle and Abraham Pether for The Temple of Flora, this artwork was created in 1800 by British botanist Robert John Thornton. The image captures the delicate yet striking nature of this rare flower. Its petals unfurl gracefully, revealing intricate details and vibrant colors that mesmerize any viewer. The bloom seems to glow under an ethereal light, casting a magical aura around it. The composition is masterfully executed, with every stroke capturing the essence of this extraordinary botanical specimen. It serves as a testament to both artistic skill and scientific observation, showcasing how art and science can intertwine seamlessly. As we gaze upon this engraving, we are transported back in time to an era when botany was still being explored and understood. It reminds us of the early days of biology when discoveries were made through meticulous observation and documentation. This print from Granger Art on Demand allows us to appreciate not only the natural world's wonders but also human ingenuity in capturing its beauty for generations to come.

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THORNTON: SUPERB LILY. The Superb Lily (Lilium superbum L. ). Engraving by William Ward after a painting by Philip Reinagle for The Temple of Flora, by British botanist Robert John Thornton, 1799
THORNTON: SUPERB LILY. The Superb Lily (Lilium superbum L. ). Engraving by William Ward after a painting by Philip Reinagle for The Temple of Flora, by British botanist Robert John Thornton, 1799
THORNTON: BOG PLANTS. American Bog Plants and Pitcher Plant. Left to right: Symplocarpus foetidus, Sarracenia flava L. and Dionaea muscipula Ellis). Engraving by Thomas Sutherland after a painting by Reinagle the Elder for The Temple of Flora, by British botanist Robert John Thornton, 1806
THORNTON: BOG PLANTS. American Bog Plants and Pitcher Plant. Left to right: Symplocarpus foetidus, Sarracenia flava L. and Dionaea muscipula Ellis). Engraving by Thomas Sutherland after a painting by Reinagle the Elder for The Temple of Flora, by British botanist Robert John Thornton, 1806
THORNTON: AURICULAS. A group of auriculas (Primula x pubescens Jacquin). Engraving by Sutherland, after a painting by Philip Reinagle, for The Temple of Flora, by Robert John Thornton, 1807
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THORNTON: STAPELIA. The Maggot-Bearing Stapelia (Stapelia hirsuta L. ). Engraving by Joseph Constantine Stadler after a painting by Peter Henderson for The Temple of Flora, by Robert John Thornton, 1801
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THORNTON: PITCHER PLANT. Pitcher Plant (Sarracenia flava). Engraving by Richard Cooper the Younger after a painting by Philip Reinagle for The Temple of Flora, by British botanist Robert John Thornton, 1803
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