PHYSIOGNOMY, c1531. Eyes of a malicious man, and those of a lustful man. Woodcut

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PHYSIOGNOMY, c1531. Eyes of a malicious man, and those of a lustful man. Woodcut

PHYSIOGNOMY, c1531.
Eyes of a malicious man, and those of a lustful man. Woodcut, 1531, from Johannes Indagines Chiromantia

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Media ID 12407788

1531 Johann Johannes Lust Physiognomy Malice

EDITORS COMMENTS
This woodcut print from 1531, titled "PHYSIOGNOMY" offers a glimpse into the intricate world of human emotions and characteristics during the Renaissance period. The artist, Johannes Indagines Chiromantia, skillfully depicts the eyes of two distinct individuals - a malicious man and a lustful man. Intriguingly, this artwork invites us to explore the depths of these men's souls through their gaze alone. The eyes of the malicious man exude an unmistakable sense of cunning and deceit. They seem to hold secrets untold and intentions veiled in darkness. One cannot help but be captivated by their intensity, yet simultaneously feel a shiver down their spine. Contrasting with this malevolence is the gaze of the lustful man. His eyes are filled with desire and passion, revealing his innermost cravings for pleasure and indulgence. There is an undeniable allure in his stare that speaks volumes about his insatiable appetite for life's pleasures. Through this woodcut print, we are reminded that our eyes truly are windows to our souls. It serves as a testament to how deeply rooted physiognomy was in Renaissance culture – the belief that one's physical appearance can reveal aspects of their character or personality. As we contemplate this remarkable piece from Granger Art on Demand, let us reflect upon our own gazes and what they may convey about ourselves.

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