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POTTERY, 18th CENTURY. The clay, being very hard, was broken up by sledges (A), ground in a mortar (B) and sifted free of pebbles (C). Before going to the potter, the raw clay was roasted on an open grill (D) then thinned with water (G) and worked up in the shop (E) in the rear. Unfired vessels are hung on pegs (H) to await their turn in the kiln (F)
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POTTERY, 18th CENTURY. The clay, being very hard, was broken up by sledges (A), ground in a mortar (B) and sifted free of pebbles (C). Before going to the potter, the raw clay was roasted on an open grill (D) then thinned with water (G) and worked up in the shop (E) in the rear. Unfired vessels are hung on pegs (H) to await their turn in the kiln (F)
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Media ID 7517605
Ceramist Craft Craftsman Factory Kiln Manufacture Pottery Studio Working Class Workshop
EDITORS COMMENTS
This print from the 18th century showcases the intricate process of pottery making. The image takes us back in time to a French workshop, where skilled craftsmen are diligently working on their creations. To transform the hard clay into workable material, sledges (A) are used to break it up before being ground in a mortar (B) and sifted free of pebbles (C). Prior to reaching the potter's hands, the raw clay is roasted on an open grill (D), adding an element of heat that enhances its malleability. In this bustling studio space, located at the rear of the shop (E), we witness artisans meticulously thinning down the clay with water (G) and shaping it into vessels. These unfired masterpieces are then hung on pegs (H), patiently awaiting their turn inside the kiln (F). It is fascinating to observe how each step contributes to transforming raw materials into exquisite works of art. The engraving captures not only a snapshot of craftsmanship but also provides insight into 18th-century manufacturing techniques. This historical artifact serves as a testament to human ingenuity and dedication within this timeless craft. As we gaze upon this image, we can't help but appreciate both the skillful hands behind these creations and our ability today to admire such remarkable pieces from centuries past.
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