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GAVARNI: PORTRAIT, 1850. The Flattering Portrait. Lithograph, c1850, by Paul Gavarni

GAVARNI: PORTRAIT, 1850. The Flattering Portrait. Lithograph, c1850, by Paul Gavarni


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GAVARNI: PORTRAIT, 1850. The Flattering Portrait. Lithograph, c1850, by Paul Gavarni

GAVARNI: PORTRAIT, 1850.
The Flattering Portrait. Lithograph, c1850, by Paul Gavarni

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12353681

1850 Allegory Balance Canvas Creativity Judge Justice Model Paintbrush Painter Parody Paul Portraitist Satire Sketch Sleep Studio Gavarni


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EDITORS COMMENTS
This lithograph, titled "GAVARNI: PORTRAIT, 1850. The Flattering Portrait" is a masterpiece created by the talented French artist Paul Gavarni in 1850. The artwork showcases Gavarni's exceptional skills as a portraitist and his ability to capture the essence of his subjects. In this particular piece, Gavarni presents us with a satirical depiction of an old painter working in his studio. With great attention to detail, he portrays the middle-aged artist engrossed in his work, holding a paintbrush and sketching on canvas. The scene exudes creativity and balance as various elements come together harmoniously. The title "The Flattering Portrait" hints at the underlying theme of parody and satire within this artwork. Gavarni humorously comments on the nature of portraiture by showcasing how artists often flatter their subjects rather than presenting an accurate representation. As we observe closely, we notice that both men and women are present in the painting—perhaps representing different models or clients seeking justice through art. This allegorical portrayal adds depth to Gavarni's commentary on society's obsession with appearances. Overall, this lithograph serves as a testament to Paul Gavarni's artistic prowess and wit. It invites viewers to reflect upon the role of art in portraying reality versus idealized versions while appreciating the skillful execution behind every stroke of the brush.

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