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FULTON: CRUELTY. Cruelty Presiding over the Prison Ship. Lithograph, American

FULTON: CRUELTY. Cruelty Presiding over the Prison Ship. Lithograph, American


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FULTON: CRUELTY. Cruelty Presiding over the Prison Ship. Lithograph, American

FULTON: CRUELTY.
Cruelty Presiding over the Prison Ship. Lithograph, American, 1856, after Robert Fulton (1765-1815)

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12354603

Allegory Confinement Cruelty Fulton Hand Prison Prisoner Punishment Robert Ship Wing


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EDITORS COMMENTS
This lithograph, titled "FULTON: CRUELTY. Cruelty Presiding over the Prison Ship" takes us back to the 19th century and offers a powerful allegory of confinement and cruelty. Created in 1856 by an anonymous American artist after Robert Fulton, this print depicts a haunting scene that evokes both empathy and contemplation. The image showcases an exterior view of a prison ship, where prisoners are seen confined within its walls. However, what truly captures our attention is the figure of Cruelty presiding over them with an iron hand. This personification of cruelty stands as a chilling reminder of the harsh realities faced by those imprisoned during this era. The meticulous details in this lithograph allow us to observe every aspect carefully – from the intricate wings on Cruelty's back to the expressions etched on the faces of the prisoners. The artist skillfully conveys their suffering through subtle yet poignant touches. As we delve into this artwork, we find ourselves pondering upon themes such as punishment and human rights. It serves as a stark reminder that even in supposedly civilized societies, acts of cruelty can prevail under various guises. "FULTON: CRUELTY" invites viewers to reflect on historical contexts while drawing parallels with contemporary issues surrounding confinement and oppression. Through its thought-provoking imagery and masterful execution, it compels us to confront uncomfortable truths about humanity's capacity for both compassion and brutality.

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