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Performing Arts Collection (page 6)

457 items

We are proud to offer this selection in partnership with Granger Art on Demand

Background imagePerforming Arts Collection: MEXICO: THEATER, 1898. A Theater Scene. Watercolor from the Mexican magazine

MEXICO: THEATER, 1898. A Theater Scene. Watercolor from the Mexican magazine, Comico, 1898

Background imagePerforming Arts Collection: ANGELA PERALTA (1845-1883). Mexican operatic soprano. Photograph, 1870s

ANGELA PERALTA (1845-1883). Mexican operatic soprano. Photograph, 1870s

Background imagePerforming Arts Collection: EMMA CALVE (c1858-1942). French operatic soprano. Photographed by Nadar in the role of Carmen

EMMA CALVE (c1858-1942). French operatic soprano. Photographed by Nadar in the role of Carmen, c1894

Background imagePerforming Arts Collection: PUCCINI: TURANDOT. The Chinese princess Turandot, eponymous heroine of the plays by Carlo Gozzi

PUCCINI: TURANDOT. The Chinese princess Turandot, eponymous heroine of the plays by Carlo Gozzi and Friedrich Schiller, and the operas by Ferruccio Busoni and Giacomo Puccini

Background imagePerforming Arts Collection: EMMA CALVE (c1858-1942). French operatic soprano. Photographed in the role of Carmen

EMMA CALVE (c1858-1942). French operatic soprano. Photographed in the role of Carmen, c1893

Background imagePerforming Arts Collection: MUSICIAN, c1870. A member of the Nilsson Concert Troupe during 1870-1871 season

MUSICIAN, c1870. A member of the Nilsson Concert Troupe during 1870-1871 season. Carte-de-visite photograph, c1870

Background imagePerforming Arts Collection: SHAKESPEARE: HENRY IV. The character of Sir John Falstaff, from William Shakespeare s

SHAKESPEARE: HENRY IV. The character of Sir John Falstaff, from William Shakespeare s
SHAKESPEARE: HENRY IV. The character of Sir John Falstaff, from William Shakespeares King Henry IV plays and The Merry Wives of Windsor. Engraving, 19th century

Background imagePerforming Arts Collection: MUCH ADO ABOUT NOTHING. The Constable of the watch, from Act III, Scene III of

MUCH ADO ABOUT NOTHING. The Constable of the watch, from Act III, Scene III of William Shakespeares Much Ado About Nothing. Engraving after an English manuscript illustration, 17th century

Background imagePerforming Arts Collection: POLYEUCTE: MARTYRDOM. Scene from the tragedy by Pierre Corneille, c1642

POLYEUCTE: MARTYRDOM. Scene from the tragedy by Pierre Corneille, c1642. Saint Polyeucte breaking the statues of Roman gods to seek Christian martyrdom. Engraving, French, 19th century

Background imagePerforming Arts Collection: ACTOR, 19th CENTURY. An actor in the role of Bill Sykes from the dramatization

ACTOR, 19th CENTURY. An actor in the role of Bill Sykes from the dramatization of the Charles Dickens novel, Oliver Twist, late 19th century

Background imagePerforming Arts Collection: BONNIE MAGINN, c1905. American actress Bonnie Maginn, photographed by Eddowes Brothers

BONNIE MAGINN, c1905. American actress Bonnie Maginn, photographed by Eddowes Brothers studio in New York, c1905

Background imagePerforming Arts Collection: CIVIL WAR: SHEET MUSIC. Sheet music cover for Dixie Doodle by M. Weir, 1862

CIVIL WAR: SHEET MUSIC. Sheet music cover for Dixie Doodle by M. Weir, 1862

Background imagePerforming Arts Collection: CIVIL WAR: SHEET MUSIC. Sheet music cover for Dixie War Song by H. S. Stanton and A

CIVIL WAR: SHEET MUSIC. Sheet music cover for Dixie War Song by H. S. Stanton and A
CIVIL WAR: SHEET MUSIC. Sheet music cover for Dixie War Song by H.S. Stanton and A. Noir, 1861

Background imagePerforming Arts Collection: CALLOT: LA PANTALON, 1618. The Pantaloon character from a performance of the Commedia del Arte

CALLOT: LA PANTALON, 1618. The Pantaloon character from a performance of the Commedia del Arte. Etching by Jacques Callot, 1618

Background imagePerforming Arts Collection: OPERA: PARSIFAL, 1882. Stage set for Act II Scene 2 of Richard Wagners opera, Parsifal

OPERA: PARSIFAL, 1882. Stage set for Act II Scene 2 of Richard Wagners opera, Parsifal. Engraving, American, 1882

Background imagePerforming Arts Collection: AMALIE MATERNA (1844-1918). Austrian operatic soprano. Engraving, American, 1882

AMALIE MATERNA (1844-1918). Austrian operatic soprano. Engraving, American, 1882

Background imagePerforming Arts Collection: OPERA: PARSIFAL, 1882. Stage set for Act II Scene 2 of Richard Wagners opera, Parsifal

OPERA: PARSIFAL, 1882. Stage set for Act II Scene 2 of Richard Wagners opera, Parsifal. Engraving, American, 1882

Background imagePerforming Arts Collection: OPERA: PARSIFAL, 1882. Stage set for Act I Scene 3 of Richard Wagners opera, Parsifal

OPERA: PARSIFAL, 1882. Stage set for Act I Scene 3 of Richard Wagners opera, Parsifal. Engraving, American, 1882

Background imagePerforming Arts Collection: BALLET: PETROUCHKA. American publicity photograph, c1916, by Jean de Strelecki

BALLET: PETROUCHKA. American publicity photograph, c1916, by Jean de Strelecki, for a Ballets Russes production of Petrouchka, choreographed by Michel Fokine with music by Igor Stravinsky

Background imagePerforming Arts Collection: NUT BROWN MAID, c1503. From Richard Arnolds Chronicle, c1503

NUT BROWN MAID, c1503. From Richard Arnolds Chronicle, c1503

Background imagePerforming Arts Collection: MINSTREL, 1492. A minstrel leads the procession to the garden

MINSTREL, 1492. A minstrel leads the procession to the garden. Woodcut from the edition of Giovanni Boccaccios Decamerone printed at Venice, Italy, in 1492

Background imagePerforming Arts Collection: MUSIC: SWEETHEART, 1910. American songsheet cover for Let Me Call You Sweetheart

MUSIC: SWEETHEART, 1910. American songsheet cover for Let Me Call You Sweetheart, 1910

Background imagePerforming Arts Collection: BALLAD, 1513. Woodcut from John Skeltons Ballade of the Scottysshe Kynge, 1513

BALLAD, 1513. Woodcut from John Skeltons Ballade of the Scottysshe Kynge, 1513

Background imagePerforming Arts Collection: VERDI: IL TROVATORE. Set design by Giuseppe and Pietro Bertoja for a Venice production

VERDI: IL TROVATORE. Set design by Giuseppe and Pietro Bertoja for a Venice production of Giuseppe Verdis opera Il Trovatore, 1853 (Act II, Scene 1; the gypsies camp)

Background imagePerforming Arts Collection: VERDI: IL TROVATORE. Set design by Giuseppe and Pietro Bertoja for a Venice production

VERDI: IL TROVATORE. Set design by Giuseppe and Pietro Bertoja for a Venice production of Giuseppe Verdis opera Il Trovatore, 1853 (Act I, Scene 2; the garden in the palace)

Background imagePerforming Arts Collection: VERDI: IL TROVATORE. Lucy Escott as Leonora, Augustus Braham as Manrico, and Henri

VERDI: IL TROVATORE. Lucy Escott as Leonora, Augustus Braham as Manrico, and Henri Drayton as the Conte di Luna in a London production of Giuseppe Verdis opera Il Trovatore, 1856

Background imagePerforming Arts Collection: DANCE: WALTZ, 1817. A group of waltzers. Lithograph, English, 1817

DANCE: WALTZ, 1817. A group of waltzers. Lithograph, English, 1817

Background imagePerforming Arts Collection: DANCE: WALTZ, 1846. Waltz in two-part time. Vignette by Bertall from Le Diable a Paris

DANCE: WALTZ, 1846. Waltz in two-part time. Vignette by Bertall from Le Diable a Paris, 1846

Background imagePerforming Arts Collection: POLKA SONG SHEET COVER. Lithographed sheet music cover, 1852

POLKA SONG SHEET COVER. Lithographed sheet music cover, 1852

Background imagePerforming Arts Collection: SOCIETY BALL, 1888. A society ball in 1888: contemporary pen-and-ink drawing

SOCIETY BALL, 1888. A society ball in 1888: contemporary pen-and-ink drawing

Background imagePerforming Arts Collection: LE SACRE DU PRINTEMPS. Four soloists from the English premiere of Le Sacre du Printemps

LE SACRE DU PRINTEMPS. Four soloists from the English premiere of Le Sacre du Printemps. Photographed in 1913

Background imagePerforming Arts Collection: LE SACRE DU PRINTEMPS. Dancers from the Ballets Russes at the English premiere

LE SACRE DU PRINTEMPS. Dancers from the Ballets Russes at the English premiere of Le Sacre du Printemps. Photographed in 1913

Background imagePerforming Arts Collection: THEATER: MELODRAMA. A scene from an American stage melodrama, c1916

THEATER: MELODRAMA. A scene from an American stage melodrama, c1916

Background imagePerforming Arts Collection: POLKA DANCING, 1848. American couples dancing the polka with gusto in 1848 to show

POLKA DANCING, 1848. American couples dancing the polka with gusto in 1848 to show their sympathies with the revolutionists in Europe. Contemporary print

Background imagePerforming Arts Collection: POLKA, 1844. Caricature of the polka, 1844, by Cham (Comte Amedee de Noe)

POLKA, 1844. Caricature of the polka, 1844, by Cham (Comte Amedee de Noe)

Background imagePerforming Arts Collection: GERMANY: DANCERS, 1493. Dancers on Christmas Night punished for their impiety

GERMANY: DANCERS, 1493. Dancers on Christmas Night punished for their impiety and condemned to dance for a whole year. Woodcut from Liber Chronicorum Mundi, Nuremberg, 1493

Background imagePerforming Arts Collection: Steinway Grand Piano, 1878

Steinway Grand Piano, 1878

Background imagePerforming Arts Collection: STAR SPANGLED BANNER. The second page of the first printed sheet music edition

STAR SPANGLED BANNER. The second page of the first printed sheet music edition of Francis Scott Keys The Star Spangled Banner, Baltimore, Maryland, 1814

Background imagePerforming Arts Collection: THE SISTERS LEVEY. Burlesque dancers. Original cabinet photograph, 19th century

THE SISTERS LEVEY. Burlesque dancers. Original cabinet photograph, 19th century

Background imagePerforming Arts Collection: O NEILL: HAIRY APE, 1922. Carlotta Monterey as Mildred Douglas in Scene II of Eugene

O NEILL: HAIRY APE, 1922. Carlotta Monterey as Mildred Douglas in Scene II of Eugene O Neills " The Hairy Ape, " presented by the Provincetown Players at the Plymouth Theater, New York

Background imagePerforming Arts Collection: CONCERT, 15th CENTURY. Manuscript illumination by Georges Trubert, late 15th century

CONCERT, 15th CENTURY. Manuscript illumination by Georges Trubert, late 15th century, from a breviary of Rene II, Duke of Lorraine

Background imagePerforming Arts Collection: WAGNER: TRISTAN & ISOLDE. Page one of the printed score for Richard Wagners Tristan and Isolde

WAGNER: TRISTAN & ISOLDE. Page one of the printed score for Richard Wagners Tristan and Isolde
WAGNER: TRISTAN & ISOLDE. Page one of the printed score for Richard Wagners " Tristan and Isolde, " completed in 1859 and first performed in 1865

Background imagePerforming Arts Collection: BEETHOVEN: SCHERZO. Page from the first published edition of Ludwig van Beethovens Symphony No

BEETHOVEN: SCHERZO. Page from the first published edition of Ludwig van Beethovens Symphony No. 9, Op. 125, showing the final version of the Scherzo ritmo di 3 battute

Background imagePerforming Arts Collection: JOHNSON: AMERICAN BOY. Composed in 1826 by Francis Johnson (1792-1844), American

JOHNSON: AMERICAN BOY. Composed in 1826 by Francis Johnson (1792-1844), American composer

Background imagePerforming Arts Collection: ENGLAND: PANTOMIME, 1850. Scene from the pantomime, King Charming; or, the Blue Bird of Paradise

ENGLAND: PANTOMIME, 1850. Scene from the pantomime, King Charming; or, the Blue Bird of Paradise, performed at the Lyceum Theatre in London. Engraving, English, 1850

Background imagePerforming Arts Collection: ENGLAND: PANTOMIME, 1881. Rehearsing for the Pantomime, a Christmas tradition

ENGLAND: PANTOMIME, 1881. Rehearsing for the Pantomime, a Christmas tradition. Engraving, English, 1881

Background imagePerforming Arts Collection: ENGLAND: PANTOMIME, 1870. Scene from the English pantomime, Lord Bateman, performed

ENGLAND: PANTOMIME, 1870. Scene from the English pantomime, Lord Bateman, performed at the Globe Theatre in London. Engraving, 1870

Background imagePerforming Arts Collection: THEATER: PETER THE GREAT. Scene from the play, Peter the Great, at the Lyceum Theatre in London

THEATER: PETER THE GREAT. Scene from the play, Peter the Great, at the Lyceum Theatre in London. Starring Ellen Terry as Empress Catherine and Sir Henry Irving as Peter the Great



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