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MISSIONARY IN CHINA, 1837. A Missionary showing the Chinese the folly of their idolatrous worship. Line engraving, 1837

MISSIONARY IN CHINA, 1837. A Missionary showing the Chinese the folly of their idolatrous worship. Line engraving, 1837


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MISSIONARY IN CHINA, 1837. A Missionary showing the Chinese the folly of their idolatrous worship. Line engraving, 1837

MISSIONARY IN CHINA, 1837.
A Missionary showing the Chinese the folly of their idolatrous worship. Line engraving, 1837

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7536383

1837 China Chinese Ching Dynasty Conversion Idol Lantern Missionary White Mans Burden


EDITORS COMMENTS
This print titled "MISSIONARY IN CHINA, 1837" takes us back to a significant moment in history. The image showcases a missionary engaging with the Chinese people, aiming to enlighten them about what he perceives as the folly of their idolatrous worship. Created through line engraving in 1837, this artwork captures the essence of cultural exchange and religious exploration during that time. The scene unfolds with the missionary standing tall amidst a group of curious Chinese men. His presence is marked by determination and conviction as he holds up an object, perhaps symbolizing his message or belief system. The lantern hanging above illuminates not only his face but also serves as a metaphor for shedding light on ignorance and superstition. In this portrayal, we witness both curiosity and skepticism from the Chinese individuals surrounding him. Their expressions range from intrigue to contemplation, reflecting their openness to new ideas while remaining rooted in their own traditions. This artwork raises questions about colonialism and cultural imperialism prevalent during that era. It evokes discussions around conversion efforts driven by Western ideologies such as "the white man's burden". However, it is essential to view this piece within its historical context rather than imposing contemporary judgments upon it. Overall, this thought-provoking engraving invites us to reflect on themes of religion, cross-cultural encounters, and differing perspectives on spirituality – all encapsulated within one powerful image captured nearly two centuries ago.

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