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MAITRE PIERRE PATHELIN. Pathelin, the lawyer, tricking the close-fisted draper

MAITRE PIERRE PATHELIN. Pathelin, the lawyer, tricking the close-fisted draper


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MAITRE PIERRE PATHELIN. Pathelin, the lawyer, tricking the close-fisted draper

MAITRE PIERRE PATHELIN.
Pathelin, the lawyer, tricking the close-fisted draper, Joceaume, out of a piece of cloth. Woodcut from a French edition of the popular theatrical farce, 1490

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12320164

1490 Attorney Drama Fabric Farce Pierre


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EDITORS COMMENTS
This woodcut print from 1490 depicts a scene from the popular theatrical farce, "Maitre Pierre Pathelin". The mischievous lawyer, Pathelin, can be seen skillfully tricking the close-fisted draper, Joceaume, out of a precious piece of cloth. This late medieval artwork beautifully captures the essence of Renaissance drama with its intricate details and expressive characters. The image showcases two men engaged in a battle of wits and cunning. Maitre Pierre Pathelin is portrayed as a sly and clever attorney who uses his wit to deceive others for personal gain. On the other hand, Joceaume represents the archetype of a miserly character unwilling to part with his valuable fabric without proper compensation. The woodcut technique employed in this print adds depth and texture to each figure while emphasizing their contrasting personalities. The fine lines and delicate shading bring life to their expressions and gestures, allowing viewers to immerse themselves in this dramatic moment. As an artifact from French culture during the late medieval period, this woodcut offers us insight into both entertainment practices at that time as well as societal attitudes towards lawyers and merchants. It serves as a reminder that even centuries ago, stories about cunning attorneys outsmarting tightfisted individuals were enjoyed by audiences seeking amusement through theater. This remarkable artwork stands as a testament to the enduring appeal of comedic farces throughout history while also showcasing the artistic talent prevalent during the Renaissance era.

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